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The Last Waltz (1978)
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Overview
User Rating:
Release Date:
26 April 1978 (USA) moreTagline:
It Started as a Concert. It Became a Celebration. [original theatrical] moreAwards:
2 wins & 3 nominations moreNewsDesk:
(8 articles)
DVD Review: Shine a Light (From Rope Of Silicon. 23 July 2008, 3:30 AM, PDT)
Still Rolling: 40 Years of the Rolling Stones on Film - "Cocksucker Blues" and "Shine a Light" (From IFC. 11 April 2008, 8:21 AM, PDT)
User Comments:
A Classic moreCast
(Cast overview, first billed only)| Robbie Robertson | ... | Himself - Lead Guitar / Vocal (as The Band) | |
| Rick Danko | ... | Himself - Bass & Violin & Vocal (as The Band) | |
| Richard Manuel | ... | Himself - Piano / Keyboards / Drums / Vocal (as The Band) | |
| Levon Helm | ... | Himself - Drums / Mandolin / Vocal (as The Band) | |
| Garth Hudson | ... | Himself - Organ / Accordion / Saxophone / Synthesizers (as The Band) | |
| Eric Clapton | ... | Himself - Performer | |
| Neil Diamond | ... | Himself - Performer | |
| Bob Dylan | ... | Himself - Performer | |
| Joni Mitchell | ... | Herself - Performer | |
| Neil Young | ... | Himself - Performer | |
| Emmylou Harris | ... | Herself - Performer | |
| Ringo Starr | ... | Himself - Performer | |
| Paul Butterfield | ... | Himself - Performer | |
| Dr. John | ... | Himself - Performer | |
| Van Morrison | ... | Himself - Performer |
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Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
117 minCountry:
USAColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
DolbyCertification:
Finland:S (cut) | Canada:PG (Ontario) | Netherlands:AL | UK:U | South Korea:12 | USA:PG (Approved No. 25097) | Brazil:Livre | Australia:M | Singapore:PG | Sweden:BtlFilming Locations:
Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA moreMOVIEmeter: 
Fun Stuff
Trivia:
Robbie Robertson was impressed by Martin Scorsese's ability to recite the words to the song "Daniel and the Sacred Harp" verbatim. moreQuotes:
[singing]Eric Clapton: Further on up the road / Someone's gonna hurt you like you hurt me / Further on up the road / Someone's gonna hurt you like you hurt me / Further on up the road / Baby, just you wait and see.
more
Soundtrack:
Theme from The Last Waltz moreFAQ
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Forget "Woodstock". Forget "Gimme Shelter". "Let It Be'? Forget that too. This is, truly, THE greatest rock and roll film ever made. Why? Well, try for a moment to forget that the actual performance itself features the great artists it does (including The Band) and focus on the film itself.
This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".
Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.
My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.