Welcome to L.A. (1976)

Director:

Alan Rudolph

Writer:

Alan Rudolph (writer)

Release Date:

28 April 1978 (West Germany)

Genre:

Drama

Tagline:

City of the One Night Stands.

Plot:

The lives and romantic entanglements of a group of young adults who have achieved "overnight" success in Los Angeles.

Plot Keywords:

Nudity | Christmas | Alienation | Telephone | Female Frontal Nudity

Awards:

Nominated for BAFTA Film Award.

Cast

Keith Carradine	...	Carroll Barber
Sally Kellerman	...	Ann Goode
Geraldine Chaplin	...	Karen Hood
Harvey Keitel	...	Ken Hood
Lauren Hutton	...	Nona Bruce
Viveca Lindfors	...	Susan Moore
Sissy Spacek	...	Linda Murray
Denver Pyle	...	Carl Barber
John Considine	...	Jack Goode
Richard Baskin	...	Eric Wood
Allan F. Nicholls	...	David Howard
Cedric Scott	...	Faye
Mike Kaplan	...	Russell Linden (as Mike E. Kaplan)
Diahnne Abbott	...	Jeannette Ross

Runtime:

106 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:12 | USA:R

Filming Locations:

Los Angeles, California, USA

Company:

Lions Gate Films

Trivia:

John Wayne was originally going to play the part of Carl Barber. However, due to budget overruns and delays, Wayne had to be replaced by Denver Pyle.

Movie Connections:

Featured in Z Channel: A Magnificent Obsession (2004) (TV)

Soundtrack:

Welcome to L.A.

Lost Angelenos

"Welcome To LA" is a dated film involving ten characters whose only shared trait seems to be loneliness. The movie plays like a moody tone poem, and there are no comedic, dramatic, or action-filled sequences... just a bunch of urban sun-bums looking lost and hopelessly mellow.

Keith Carradine redefines the term "slacker" for the Me Generation, as he wanders around LA with a soul patch having intercourse with a score of women while never once changing his expression. He's supposedly an artist, with troubles in his romantic life and familial relationships, but he is so centered, so serene, so placid, that he comes off more as a Buddhist monk or Jedi Knight.

He has occasional flashbacks to his former lover played by Diahnne Abbott, and I have to believe that no man would ever forget this woman. In her wordless seconds of screen time here, just like her tiny roles in "Taxi Driver" and "New York, New York," you can see that this is one of the most gorgeous, sexual women ever to walk the Earth... she's got the jungle in her, and this is the type of woman men kill other men to be with. She was my favorite part of the movie.

Between stories involving the grating Geraldine Chaplin and the sexy Sally Kellerman we keep cutting back to Richard Baskin as a singer/songwriter recording his album in a studio. These songs and the montages cut around them- which were presumably meant to be the heart of the film- are rendered unlistenable by the foul, nails-on-blackboard voice of Baskin. The fact that this man was ever allowed behind a microphone is a crime against the eardrum. Instead of the soulful, contemplative center of the story, we get a talentless drone warbling clichéd lyrics while the leads bemoan their fate. Nothing makes the heart ache like sunshine.

The only other bright spot is Sissy Spacek, a woman of unbelievable beauty and depth, who effortlessly steals the show whenever she's on screen. Ms. Spacek can be a naive little girl one minute, an intellectual adult the next, and a lusty sexpot only seconds later. If you love her like I do check out "Violets Are Blue" in which she plays a woman so irresistible you cannot help but fall in love.

"Welcome To LA" is supposed to show the isolation and loneliness that exists even in the hedonistic, superficial world of La-La Land... the trouble is we wind up with a movie that confirms our worst beliefs about the place: These characters have no right to be this bummed... it's shallow, narcissistic self-pity. But it makes for a great late-night movie.

Grade: C