| Photos (see all 19 | slideshow) | Videos (see all 2) |
| Dustin Hoffman | ... | Babe | |
| Laurence Olivier | ... | Szell | |
| Roy Scheider | ... | Doc | |
| William Devane | ... | Janeway | |
| Marthe Keller | ... | Elsa | |
| Fritz Weaver | ... | Professor Biesenthal | |
| Richard Bright | ... | Karl | |
| Marc Lawrence | ... | Erhard | |
| Allen Joseph | ... | Babe's Father | |
| Tito Goya | ... | Melendez | |
| Ben Dova | ... | Szell's Brother | |
| Lou Gilbert | ... | Rosenbaum | |
| Jacques Marin | ... | LeClerc | |
| James Wing Woo | ... | Chen | |
| Nicole Deslauriers | ... | Nicole | |
| Lotte Palfi Andor | ... | Old Lady on 47th Street (as Lotta Andor-Palfi) | |
| Lionel Pina | ... | Street Gang | |
| Church | ... | Street Gang | |
| Tricoche | ... | Street Gang | |
| Jaime Tirelli | ... | Street Gang | |
| Wilfredo Hernández | ... | Street Gang (as Wilfredo Hernandez) | |
| Harry Goz | ... | Jewelry Salesman | |
| Michael Vale | ... | Jewelry Salesman | |
| Fred Stuthman | ... | Jewelry Salesman | |
| Lee Steele | ... | Jewelry Salesman | |
| William Martel | ... | Bank Guard | |
| Glenn Robards | ... | Plainclothesman | |
| Ric Carrott | ... | Plainclothesman | |
| Alma Beltran | ... | Laundress | |
| Daniel Núñez | ... | Guard in Uruguay (as Daniel Nunez) | |
| Tony Pena | ... | Guard in Uruguay | |
| Chuy Franco | ... | Guard in Uruguay | |
| Billy Kearns | ... | Tourist Couple | |
| Sally Wilson | ... | Tourist Couple | |
| Tom Ellis | ... | T.V. Announcer | |
| Bryant Fraser | ... | Young Photographer | |
| George Dega | ... | Hotel Valet | |
| Gene Bori | ... | French Doctor | |
| Annette Claudier | ... | Nurse | |
| Roger Etienne | ... | Headwaiter | |
| Raymond Serra | ... | Truck Driver (as Ray Serra) | |
| John Garson | ... | Bystander | |
| Charlott Thyssen | ... | Bystander | |
| Estelle Omens | ... | Bystander | |
| Madge Kennedy | ... | Lady in Bank | |
| Jeff Palladini | ... | Young Babe | |
| Scott Price | ... | Young Doc | |
| rest of cast listed alphabetically: | |||
| Abebe Bikila | ... | Himself (archive footage) (uncredited) | |
| S.C. Dacy | ... | Innocent Bystander (uncredited) | |
| Shawn McAllister | ... | Mechanic (uncredited) | |
| Irving Metzman | ... | Accident Witness (uncredited) | |
| Louis Tanno | ... | (uncredited) | |
| Treat Williams | ... | Central Park Jogger (uncredited) | |
Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| William Goldman | (screenplay) | |
| William Goldman | (novel) | |
Produced by | |||
| Sidney Beckerman | .... | producer | |
| Robert Evans | .... | producer | |
| George Justin | .... | associate producer | |
Original Music by | |||
| Michael Small | (music composed by) | ||
Cinematography by | |||
| Conrad L. Hall | (as Conrad Hall) | ||
Film Editing by | |||
| Jim Clark | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Richard Macdonald | (as Richard MacDonald) | ||
Art Direction by | |||
| Jack De Shields | |||
Set Decoration by | |||
| George Gaines | |||
Costume Design by | |||
| Robert De Mora | (costumes) | ||
Makeup Department | |||
| Barbara Lorenz | .... | hair stylist | |
| Ben Nye | .... | make-up artist | |
| Dick Smith | .... | special make-up consultant | |
| Brad Wilder | .... | makeup artist (uncredited) | |
Production Management | |||
| Stephen F. Kesten | .... | unit production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Second Unit Director or Assistant Director | |||
| Everett Creach | .... | second unit director | |
| Burtt Harris | .... | assistant director | |
| Hawk Koch | .... | assistant director (as Howard W. Koch Jr.) | |
| William Saint John | .... | second assistant director | |
Art Department | |||
| Bill MacSems | .... | property master | |
Sound Department | |||
| David M. Ronne | .... | sound mixer (as David Ronne) | |
| Edward L. Sandlin | .... | sound editor | |
| Fred Stafford | .... | sound editor (as Freddie Stafford) | |
| John Wilkinson | .... | re-recording mixer (as John K. Wilkinson) | |
| Robert Rogow | .... | boom operator (uncredited) | |
Special Effects by | |||
| Richard E. Johnson | .... | special effects | |
| Charles Spurgeon | .... | special effects | |
Stunts | |||
| Everett Creach | .... | stunt coordinator | |
| Rock A. Walker | .... | stunt driver (uncredired) | |
| Jerry Brutsche | .... | stunt driver (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Jerry Summers | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Holly Bower | .... | stills | |
| Garrett Brown | .... | special photography | |
| Earl L. Clark | .... | assistant camera (as Earl Clark) | |
| Charles Langham | .... | best boy | |
| Rick Martens | .... | gaffer (as Richard Martens) | |
| Nick McLean | .... | camera operator | |
| Robert Moore | .... | key grip (as Robert C. Moore) | |
| Peter Sorel | .... | stills | |
Casting Department | |||
| Juliet Taylor | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Robert M. Moore | .... | wardrobe | |
| Bernie Pollack | .... | wardrobe | |
Editorial Department | |||
| Arthur Schmidt | .... | associate editor | |
| Dennis Wooley | .... | assistant editor | |
Music Department | |||
| Jack Hayes | .... | orchestrations | |
| Patrick Moore | .... | music editor | |
| Michael Small | .... | music conducted by | |
Transportation Department | |||
| Kelly Aldrich | .... | driver: John Schlesinger (uncredited) | |
Other crew | |||
| Cathy Chazan | .... | assistant: Mr. Evans | |
| Michael Childers | .... | assistant to producers | |
| Giancarlo Giannini | .... | voice dubbing: : Dustin Hoffman | |
| Mark Griffiths | .... | coordinator: AFI | |
| Roland Meledandri | .... | clothes: Roy Scheider | |
| Dan Perri | .... | title design | |
| Nicholas Sgarro | .... | script supervisor (as Nick Sgarro) | |
| Karen Hale Wookey | .... | script supervisor (uncredited) | |
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| Live Free or Die Hard | Munich | A History of Violence | Kite | Confessions of a Dangerous Mind |
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Dustin Hoffman looks in great shape playing a Columbia graduate student, still haunted by his father's suicide (and perhaps in training for the New York marathon), who gets mixed up by proxy in his nefarious older brother's activities; seems his sibling has been working secretly as a courier in stolen gems, and has run afoul of Szell, a.k.a. The White Angel, the most notorious Nazi war-criminal still alive. Director John Schlesinger exercises a gleefully nasty side here, staging some dental torture scenes that are just about impossible to watch, yet not all of the pieces in William Goldman's adaptation of his own bestseller fit accordingly; Schlesinger just presses ahead so that the story gaps won't be so noticeable. There's much zig-zagging across the continents at the beginning, with red herrings, street bombs, and character intricacies just swept under the carpet. We learn so little about Hoffman's brother (played by an equally fit Roy Scheider) that, by the film's climax, we still don't know whose side he was he on--or why his cohorts lost trust in him. Marthe Keller's German mystery beauty is another character muddle, a pretense of writer Goldman who was really out to stack this deck against Hoffman's runner. Laurence Olivier's knife-wielding Nazi beast is perplexing as well, alternating a steely coldness with an aged confusion (why, for instance, is he staking out jewelry stores just for today's market values--isn't the diamond trade this man's forte?). The film could have eased up a bit on the torture scenes (which aren't really suspenseful as much as they excruciating) and been a bit more clear-headed about the chess game taking place. It leaves a bushel of questions behind, though it is a handsome piece of work, well-cast and with an intrinsically satisfying finale. *** from ****