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19 out of 21 people found the following review useful:
TVLAND must bring this back for at least a few MARATHONS!, 21 December 2001
Author: Enrique Sanchez from Miami, FL

This should MUST be resurrected.

A more insightfully absurd and comically astute series has not been made. Mix the daily grind of ALL MY CHILDREN, the experimentation of MONTY PYTHON, the self-absorbed and urbane existentialism of WOODY ALLEN and the offbeat quality of BLUE VELVET and you have MARY HARTMAN MARY HARTMAN.

What a fabulous cast and what kooky writing! This is black comedy at its most tongue-in-cheek.

TVLAND bring it back, please!

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18 out of 21 people found the following review useful:
Goats. Chickens. A Deaf and Dumb Ed Begley, Jr., 29 July 2002
10/10
Author: OneDones from Evanston, Illinois

These are but a few of the ingredients that add up to what I could very easily classify as the most brilliant television series ever broadcast. I had no idea that Louise Lasser's performance was the high art that it is until I witnessed it with my own two blessed eyes - it is something so perfectly conceived and executed that not only was she able to make Mary come across as dopey, smart, pitiful, strong, sympathetic, ridiculous, and believable all at the same time, but she managed to fashion a performance that one could laugh with and take dead-seriously at the same time. If I say that Mary Kay Place and Greg Mullavy aren't equally impressive, it's not in any way a slight to their wonderful conceptions of character - it's only that in this series Lasser transcended the exceptional and for 325 fabulous episodes shone like a goddess in this, the Picasso of Kitsch. (The hysterical, high-camp performances of Debralee Scott, Dody Goodman, and Claudia Lamb also deserve very special mention.) Never before has quality, camp, and crap come together in such a unique and glorious union - especially in a program that has an edgy fistful of smart, pointed comments and observations to make about not only our culture but our everyday lives.

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11 out of 13 people found the following review useful:
Mary Hartman, Mary Hartman is a great American tragicomedy, 28 March 2000
Author: cbestca from san diego

I first began watching MH2 in the eighth grade on the advise of my friend Todd. We would laugh hysterically each morning in homeroom at the strange absurdity of it all. Though we weren't getting all of it at that age, we understood a lot of their references and learned a lot in the process. And suffice it to say that when "Soap" came on the air a couple of years later, we could only see it as a network ripoff of a show they didn't have the guts to take on before the waters were tested (and by the way, I'm not knocking "Soap" which was a good show. It's just that MH2, for all its absurdities, was riskier and more truly satirical, and...it didn't have a laugh track). One of the most special traits of MH2 was that it tended to focus on small town America's working class and the places they congregate such as the bowling alley or the factory break room. Though serials like All My Children and One Life To Live had revolutionized the soap genre in the 70s by focusing on more "topical" characters, it was still unusual for a soap (or a satire of one) to focus empathetically on the denizens of the other side of the tracks, sometimes referred to as dirty white trash (Roseanne would later revolutionize sitcoms in a similar manner). This was certainly part of MH2's charm. I grew to love Mary Hartman's kitchen (and other Fernwood locales) as if they were an extension of my own town and home. Too bad the show couldn't have lasted longer than it did. Let me finish by saying this...about 5 or 6 years ago Lifetime network began reruns of this show and I was in my glory. For some strange reason, they stopped very soon into it and never resumed. But, I was fortunate enough to have viewed, for the first time in 20 years, the first episodes in which Mary is held captive by the guy who "killed the whole Lombardy family, two goats and six chickens" and, from the vantage point of my 30s, I was finally able to really "get it"; Mary Hartman is one of the great emblems of the distress of the mid-20th century American woman. Her hair in childish pigtails while wearing those little girl dresses, Mary was an example of the overly-consumered, growth-stunted American housewife trying to function while in a semi-daze. Her confrontations with adultery, contemporary feminism, and countless other social issues (often found within her own family) while trying to be the perfect little housewife and mother makes her eventual nervous breakdown more than just another crazy plot twist. In actuality, it was an inevitable progression. Compare her and her friends and neighbors to Carol Burnett's Eunice and other 70s television characters like Edith Bunker and you'd have a rather fascinating college course, I think. Perhaps I need to put one together! So, for those of you who have a similar fondness for this groundbreaking, offbeat series and to those who have never seen it, here's to bringing Mary Hartman, Mary Hartman back in reruns. Fernwood deserves to be revisited! P.S. If you want to see Louise "Mary Hartman" Lasser in a recent role, rent "Happiness". Beware, though,

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12 out of 15 people found the following review useful:
Wow, what a bizarre show, 7 July 2000
Author: A-Ron-2 from Storrs, CT

This was one of those seminal moments in television history, because the 70s seemed to be more open to experimentation and strangeness than certainly the 80s and definitely the 90s.

Mary Hartman, Mary Hartman was a show that was unclassifiable by any standard of TV today. Now, I haven't seen the show in about 15 years (I watched the whole series on tape at a friend of mine's back in the mid or late 80s), but I am sure that it would be just as bizarre and wonderful today as ever.

Martin Mull was brilliant as the psychopathic wife beater, Barth Gimble. I hope that TV Land or some other such channel will pick this show up, because I would really love to see it again.

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6 out of 7 people found the following review useful:
Funniest show I've ever seen, 3 May 2004
Author: Frank Hankey from Jersey City, NJ, USA

I was totally hooked on this show back in the 70s. Way out there, really dry. There are times when they'd set up a joke for several episodes running then spring the punchline on you. They tried to clone this into that show SOAP, but they added a laugh track that had the effect of killing the humor (at least for me). They really went out on a limb. That episode where Dabney Coleman stares silently into the camera for five minutes may be the most I've ever laughed at a TV show ("Look me in the eye and decide if Merle Jeter should be the next mayor of Fernwood"). I'm amazed that someone let them get away with this show.

For a while the Lifetime channel brought this back. I wasn't sure if it would be as hilarious a second time around but it was. After a few weeks Lifetime pulled it for Unsolved Mysteries.

TVLand made a better attempt a few years ago. It went on longer and they got Martin Mull and Fred Willard to emcee. Great stuff !! Once again it didn't go on too long. I don't know what useless stuff is in its place.

If anyone hears of this one getting replayed or made available on DVD, send me an email !

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7 out of 9 people found the following review useful:
A demented,glorious, masterpiece, 16 February 2002
Author: Joseph Harder (jah5y@virginia.edu) from warren michigan

Truly one of the greatest-and least remembered -TV shows of all time.I loved this show back in the seventies. It was a rich tapestry of comic-and touching- characters, exemplified by the naive heroine, Mary Hartman,and her friends, perhaps most unforgettable of whom was would be Country Music queen,Loretta Haggers, played by the sadly underused -and brilliant-Mary Kay Place.But then this show was rich in fine acting-Dabney Coleman, martin Mull, and Marian Mercer, among others.If the Comedy channel can rerun "soap" why cant they rerun this masterpiece?

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2 out of 2 people found the following review useful:
Candide in a consumer society, 31 May 2008
10/10
Author: melvelvit-1 from NYC suburbs

A sharply satirical soap opera about a modern-day "Candide" (Louise Lasser) and the dysfunctional Americana she inhabits. In the opening episodes (beginning 1/76), Mary has to contend with her impotent husband, indifferent daughter, pervert grandpa, hot-to-trot sister, and the massacre of a local family (along with their 2 goats and 8 chickens) but it seems the waxy yellow build-up on her kitchen floor subliminally affected the mass media-influenced Mary more than all the domestic drama combined. The absence of a canned laugh track can make viewers feel they're either losing their mind or experiencing a darkly comedic, penetrating pop-culture parody. Possibly both. I loved it then and I love it now!

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2 out of 3 people found the following review useful:
Why It Didn't Make It Into Reruns, 9 March 2009
Author: outnaway from United States

I was an original fan of the show, being about 16 or 17 in its first year. It was a cult hit for sure. My friends loved it. The jocks either hated it or hadn't heard of it. The cheerleaders I think were scared of it.

Since then I've seen several attempts to bring it back on TV as a rerun. But like others have said on here, the ratings for the reruns are low and they cancel it after a month or so. I think there are several reasons for this. One, is that the show really changed as it got past its second month. I remember an article of the time that said that they ran out of their first year's worth of material after the first month. Now I know that the first month or so have some classic stuff in them - the couch dying in the chicken soup, etc., but they hadn't really found the pace of the show in the early weeks. So, while they have some classic stuff and some inking as to what's coming, the first month or so isn't really that good. So, in reruns, the new audience gets bored and it gets canceled. So yes, in reruns we get the classic "chickens and goats", grandpa Shumway being a flasher, but we don't get Sgt. Foley's heart attack and Mary and him finally getting it on in the hospital, grandpa's affair with Roberta, her joining STET, the sex surrogate for Tom, Loretta's aborted trip to California, Garth Gimble, etc. What's great about this site it it's reminded me of how much I've forgot about.

Something else that I remember about the show is that, well, not all the episodes were that funny. I think at the time we accepted that they had to come up with two and a half hours of TV a week and that not all of it would be great. I remember many episodes where there was only one real laugh. It may have been a great laugh, but today's audience isn't as patient as we were. The other thing is think of what the competition was for Mary Hartman. It ran at 11:00 PM and was up against the local news in an era of three broadcast channels and twelve cable channels. In my house, the only serious competition were re-runs of the Honeymooners on WPIX from New York.

The other thing that makes this tough on reruns is that Mary Hartman was so much a part of the 70's. What's hard to explain to people who weren't there, is how weird the 70's were. The whole country was in this very odd mood, partly giddy, partly freaked out, partly numb. I don't know if I can explain how Mary Hartman fit in to that, but it did and maybe not enough time has passed where it won't seem dated. The other thing is that the show had a whole parallel life running at the same time in the live soap opera of Louise Lasser's sudden fame. Her personal trajectory towards a nervous breakdown tracked Mary Hartman's. Do I need to remind everyone of her bizarre interviews in Rolling Stone, her bust for cocaine, and her appearance as the host on SNL, in which she also had a nervous breakdown. Years later it came out that this was not faked, that she was ready to refuse to appear on the show minutes before curtain time, and only agreed to appear once Chevy Chase convinced her that if she didn't go on, he'd go on in her place wearing a wig.

This show in its first run had a drama to it that is hard to recreate in reruns. Not only did it track Louise Lasser's breakdown, it also traced America's breakdown too.

I miss the show. It meant a lot to me, and it's sad that it's only a memory.

BTW, does anyone remember what is one of my favorite moments, when Mary's rival for her husband Tom's affection, Mae has tried to kill herself with sleeping pills? And she turns to Mary for support, who plies her with coffee, and the towering Mae flops all over smaller Mary before they both slump on to the floor and Mary ends up drinking the coffee. It's been over thirty years and I still remember that after only one viewing.

Or when Loretta came over to bring Mary Jell-O with Cracker Jacks suspended in it?

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2 out of 3 people found the following review useful:
Terrific!, 25 May 2007
10/10
Author: R D from Dallas, Texas

Who would have guessed that 30 years later Mary Hartman, Mary Hartman would still be an absolutely hilarious and entertaining program? Controversial for its time, Mary Hartman, Mary Hartman still seems to walk the line of racy subject matters.....not subtle and not over-the-top. Watching takes you back in time. It is entertaining to see the fashion statements and listen to the dialog from so long ago. The series is really like a time capsule! Also enjoyable is the product placement, a real blast-to-the-past! Thanks to everyone who brought this program to DVD. I certainly hope that the entire series makes it to video.

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3 out of 5 people found the following review useful:
Thank God it's back in my living room, 29 March 2007
10/10
Author: brendanchenowith from United States

*** This review may contain spoilers ***

Oh, how I've missed her, how I've missed her. Just like Pavlov's dog, I would often drool just at the sound of Norman Lear's name - and Lear has never disappointed. I'd always enjoyed watching soaps as well as sitcoms and Lear's name on top of the two was a hell of a mix.

I'd heard it was a comedy, I'd heard it was a drama. I was surprised there was no laugh-track, but that was a good thing because it challenged my sense of humor and I think I won. It didn't matter what anyone said, I laughed at whatever happened to strike me funny - I went with my instincts. From the age of 12 (when this initially aired), I didn't need anyone to tell me when something was funny, and, thank God, I still don't, even though others will try, by God.

I loved the use of overly melodramatic music in the background underscoring a really funny scene, which caused middle America to scratch its head and try to guess whether or not it was funny. They let the music tell them how to feel. You decide - you're watching something being played out in front of you - do you think it's funny - do you think it's sad. Mary Hartman Mary Hartman let us decide for ourselves and God bless Norman Lear for going in this direction. It paved the way for more of the same with Arrested Development, Curb Your Enthusiasm, Extras, the British "Office". Nice to finally have the spearhead of this movement back in my living room where it belongs.

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