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Directed by | |||
| Milos Forman | |||
Writing credits | ||
| Lawrence Hauben | (screenplay) and | |
| Bo Goldman | (screenplay) | |
| Ken Kesey | (novel) | |
| Dale Wasserman | (play) | |
Produced by | |||
| Michael Douglas | .... | producer | |
| Martin Fink | .... | associate producer | |
| Saul Zaentz | .... | producer | |
Original Music by | |||
| Jack Nitzsche | |||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
| Bill Butler | (uncredited) | ||
Film Editing by | |||
| Sheldon Kahn | |||
| Lynzee Klingman | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Edwin O'Donovan | |||
Makeup Department | |||
| Gerry Leetch | .... | hair stylist | |
| Fred B. Phillips | .... | makeup artist (as Fred Phillips) | |
Production Management | |||
| Joel Douglas | .... | unit production manager | |
| Irving Saraf | .... | post-production supervisor | |
| Joel Chernoff | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Saint John | .... | second assistant director (as William St. John) | |
| Irby Smith | .... | first assistant director | |
Art Department | |||
| Joe Acord | .... | construction coordinator | |
| Tom Bartholomew | .... | painter | |
| Terry E. Lewis | .... | props (as Terry Lewis) | |
| Rudy Reachi | .... | assistant property master (uncredited) | |
Sound Department | |||
| Mark Berger | .... | post-production sound director | |
| Pat Jackson | .... | sound editor | |
| Larry Jost | .... | sound recordist (as Lawrence Jost) | |
| Mary McGlone | .... | sound editor | |
| Robert R. Rutledge | .... | sound editor (as Robert Rutledge) | |
| Kirk Schuler | .... | assistant sound editor | |
| Veronica Selver | .... | sound editor | |
| Gene Radzik | .... | Dolby consultant: 2001 5.1 remix (uncredited) | |
Stunts | |||
| Alan Gibbs | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bill Butler | .... | additional photographer | |
| Dick Colean | .... | camera operator | |
| William A. Fraker | .... | additional photographer (as William Fraker) | |
| Hugh K. Gagnier | .... | camera operator (as Hugh Gagnier) | |
| George Hill | .... | key grip | |
| Gary Holt | .... | gaffer | |
| Dennis Marks | .... | gaffer | |
| Walter Nichols | .... | best boy | |
| Peter Sorel | .... | still photographer | |
| Robert M. Stevens | .... | camera operator (as Robert Stevens) | |
| Bill Tenny | .... | gaffer | |
| Robert C. Thomas | .... | camera operator (as Robert Thomas) | |
| Doug Willis | .... | best boy | |
| Kyle T. MacDowell | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Aggie Guerard Rodgers | .... | costumer (as Agnes Rodgers) | |
Editorial Department | |||
| Richard Chew | .... | supervising editor | |
| Arthur Coburn | .... | assistant editor (as Art Coburn) | |
| Constance Field | .... | assistant editor | |
| Bonnie Koehler | .... | assistant editor | |
| Jay Miracle | .... | assistant editor | |
Music Department | |||
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Tom F. Thomas | .... | transportation captain (as Tom Thomas) | |
Other crew | |||
| Natalie Drache | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer | |
| Rhonda Kramer | .... | production office coordinator | |
| Leonard Lipton | .... | production assistant | |
| Frank Noonan | .... | location auditor | |
| Denise Schreiter | .... | location coordinator | |
| Jim Young | .... | location auditor | |
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Jack Nicholson is a great actor. No, not a great actor, a spectacular actor. This is a film from fairly early in his career, as well as it is for several other actors in this film, who later have had long, great careers too, including Danny DeVito, Christopher Lloyd and Brad Dourif. The film has some unforgettable moments... who could forget Louise Fletcher's icy stare, Jack Nicholson's smart-aleck remarks or Will Sampson's impressive, almost entirely silent performance? The film portrays the horrible truth about how patients were treated in mental institutions back then, and tells the story of someone who desperately wanted to break out, to rebel, to change things, for himself and for the others. I was compelled by this film, from the very first frame. I never took my eyes off it, and I will definitely be thinking about this film for a while. I thought it was great the way one of the very first frames depicted the institution as something far more similar to a prison than a hospital. Milos Forman did a great job of making that contrast very powerful to the viewer. The film is very moving and a truly beautiful cinematic experience. Every single actor gives a stellar performance, every single character is perfectly written, every single line, every single frame is absolutely perfect. I wouldn't change a thing in this film. It has a great pace, you never lose interest, but it never seems to be rushing to get through it, either. It's simply perfect. I have not read the original book, but if I ever come across it, I might check it out. I have only seen this film once, but I will definitely watch it many times in years to come. I recommend this amazing piece of great cinema to anyone who has at least a slight interest in the drama genre, or any fan of any of the actors, as they are all in their absolute prime in this film. 10/10