| Photos (see all 43 | slideshow) | Videos |
| Peter O'Toole | ... | Henry II | |
| Katharine Hepburn | ... | Eleanor of Aquitaine | |
| Anthony Hopkins | ... | Richard | |
| John Castle | ... | Geoffrey | |
| Nigel Terry | ... | John | |
| Timothy Dalton | ... | King Philip of France | |
| Jane Merrow | ... | Alais | |
| Nigel Stock | ... | Capt. William Marshall | |
| Kenneth Ives | ... | Queen Eleanor's guard | |
| O.Z. Whitehead | ... | Bishop of Durham | |
| Fran Stafford | ... | Lady in Waiting | |
| Ella More | ... | Lady in Waiting | |
| Kenneth Griffith | ... | Strolling player | |
| Henry Woolf | ... | Strolling player | |
| Karol Hagar | ... | Strolling player | |
| David Griffith | ... | Strolling player (as Mark Griffith) |
Directed by | |||
| Anthony Harvey | |||
Writing credits | ||
| James Goldman | (play) | |
| James Goldman | (screenplay) | |
Produced by | |||
| Joseph E. Levine | .... | executive producer | |
| Jane C. Nusbaum | .... | associate producer | |
| Martin Poll | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Douglas Slocombe | |||
Film Editing by | |||
| John Bloom | |||
Casting by | |||
| Paul Lee Lander | |||
Art Direction by | |||
| Peter Murton | |||
Costume Design by | |||
| Margaret Furse | |||
Makeup Department | |||
| Bill Lodge | .... | makeup artist | |
| A.G. Scott | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Al Burgess | .... | second assistant director | |
| Kip Gowans | .... | assistant director | |
| Patrick O'Brien | .... | second assistant director | |
Art Department | |||
| Ted Clements | .... | assistant art director | |
| Peter James | .... | set dresser | |
| Gilbert Margerie | .... | art director: France | |
| Gus Walker | .... | construction manager | |
Sound Department | |||
| Chris Greenham | .... | sound editor | |
| Gerry Humphreys | .... | dubbing mixer (as Gerry Humphries) | |
| Simon Kaye | .... | sound recordist | |
Camera and Electrical Department | |||
| Michael Browne | .... | chief electrician (as Michael Brown) | |
| Robin Vidgeon | .... | assistant camera | |
| Michael Walter | .... | grip | |
| Chic Waterson | .... | camera operator | |
| Keith Blake | .... | clapper loader (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| David Baker | .... | wardrobe | |
| Vi Murray | .... | wardrobe | |
Editorial Department | |||
| Lesley Walker | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Sidney Margo | .... | music contractor (uncredited) | |
| Robert Richards | .... | orchestrator (uncredited) | |
Other crew | |||
| Pamela Carlton | .... | continuity | |
| Jilda Smith | .... | production secretary | |
| Emanuel Azenberg | .... | play associate producer: Broadway (uncredited) | |
| Walter Hyman | .... | play producer: Broadway (uncredited) | |
| Alan King | .... | play producer: Broadway (uncredited) | |
| Eugene V. Wolsk | .... | play producer: Broadway (uncredited) | |
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| The Lion in Winter | Young Bess | Juana la Loca | Edward II | Elizabeth: The Golden Age |
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I love this film. I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.
The essential plot is that it is 1183 and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine (played by Katherine Hepburn), who is in exile, and his sons to along with king of France, to Christmas dinner. Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful.
The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm. While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.
It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again.