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Alan Trustman (screenplay) and
Harry Kleiner (screenplay) ...
(more)
17 October 1968 (USA) more
Steve McQueen As 'Bullitt' more
An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection. full summary | full synopsis
Won Oscar. Another 9 wins & 6 nominations more
'Bones' cast takes us behind the scenes (and the belt buckle)
(From EW.com - PopWatch. 12 November 2009, 11:18 AM, PST)
Opening Night: Star Power at the Chicago International Film Festival
(From HollywoodChicago.com. 9 October 2009, 7:22 AM, PDT)
The one that started it all... more (245 total)
| Steve McQueen | ... | Bullitt | |
| Robert Vaughn | ... | Chalmers | |
| Jacqueline Bisset | ... | Cathy | |
| Don Gordon | ... | Delgetti | |
| Robert Duvall | ... | Weissberg | |
| Simon Oakland | ... | Captain Bennet | |
| Norman Fell | ... | Baker | |
| Georg Stanford Brown | ... | Dr. Willard | |
| Justin Tarr | ... | Eddy | |
| Carl Reindel | ... | Stanton | |
| Felice Orlandi | ... | Renick | |
| Vic Tayback | ... | Pete Ross (as Victor Tayback) | |
| Robert Lipton | ... | 1st Aide | |
| Ed Peck | ... | Westcott | |
| Pat Renella | ... | John Ross | |
| Paul Genge | ... | Mike | |
| John Aprea | ... | Killer | |
| Al Checco | ... | Desk Clerk | |
| Bill Hickman | ... | Phil | |
| rest of cast listed alphabetically: | |||
| Mal Alberts | ... | Airport Information Agent (uncredited) | |
| Scott Beach | ... | Man (uncredited) | |
| Mary Benoit | ... | Voice (uncredited) | |
| Barbara Bosson | ... | Nurse (uncredited) | |
| Roger Bowen | ... | Man (uncredited) | |
| Joy Carlin | ... | Woman (uncredited) | |
| Brandy Carroll | ... | Mrs. Dorothy Rennick (uncredited) | |
| Joanna Cassidy | ... | Bit Part (uncredited) | |
| Julie Christy | ... | Party Guest (uncredited) | |
| Robert Cleaves | ... | Uniformed Courtesy Officer (uncredited) | |
| Tony Dario | ... | Cop (uncredited) | |
| Michael L. Davis | ... | Policeman (uncredited) | |
| Jim Demarest | ... | Captain Brady (uncredited) | |
| Chuck Dorsett | ... | Airport counterperson (uncredited) | |
| Thomas Duncan | ... | Clerk (uncredited) | |
| Marjorie Eaton | ... | Mrs. Larkin (uncredited) | |
| Walker Edmiston | ... | Voice (uncredited) | |
| Sam Edwards | ... | Voice (uncredited) | |
| Mimi Farina | ... | Woman (uncredited) | |
| Shirley Fitzgerald | ... | Mrs. Bennett (uncredited) | |
| Dick Geary | ... | Bully Cop (uncredited) | |
| Frank Gerstle | ... | (voice) (uncredited) | |
| Dennis Gribbon | ... | Tony Bennett, Captain Bennett's Son (uncredited) | |
| Stacy Harris | ... | Voice (uncredited) | |
| Bill Jones | ... | 2nd Aide (uncredited) | |
| Stu Klitsner | ... | Man (uncredited) | |
| Jean Le Bouvier | ... | Woman (uncredited) | |
| Margo Lungreen | ... | Irene Chalmers (uncredited) | |
| Larry D. Mann | ... | Voice (uncredited) | |
| Claire Merrill | ... | Mrs. Merrill (uncredited) | |
| Kathleen Morrissey | ... | Chalmers' Mother (uncredited) | |
| Ned Moss | ... | Senator Dixon (uncredited) | |
| Vic Perrin | ... | Voice (uncredited) | |
| Charlene Polite | ... | Woman (uncredited) | |
| Suzanne Somers | ... | Bit Role (uncredited) | |
| Liz Treadwell | ... | Woman (uncredited) | |
| Reggie Waldon | ... | Woman (uncredited) | |
Directed by | |||
| Peter Yates | |||
Writing credits | ||
| Alan Trustman | (screenplay) (as Alan R. Trustman) and | |
| Harry Kleiner | (screenplay) | |
| Robert L. Fish | (novel "Mute Witness") (as Robert L. Pike) | |
Produced by | |||
| Philip D'Antoni | .... | producer | |
| Robert E. Relyea | .... | executive producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Frank P. Keller | |||
Art Direction by | |||
| Albert Brenner | |||
Set Decoration by | |||
| Phil Abramson | (as Phillip Abramson) | ||
| Ralph S. Hurst | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| Pat Davey | .... | hair stylist | |
| Emile LaVigne | .... | makeup artist | |
| Jay Sebring | .... | hair designer: Steve McQueen (uncredited) | |
Production Management | |||
| Joe L. Cramer | .... | unit manager | |
| Jack N. Reddish | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tim Zinnemann | .... | assistant director | |
| Walter Hill | .... | second assistant director (uncredited) | |
Sound Department | |||
| John K. Kean | .... | sound | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Stunts | |||
| Denny Arnold | .... | stunts (uncredited) | |
| Max Balchowsky | .... | stunts (uncredited) | |
| Lightning Bear | .... | stunts (uncredited) | |
| Everett Creach | .... | stunts (uncredited) | |
| Jack L. Dill | .... | stunts (uncredited) | |
| Bud Ekins | .... | stunt driver (uncredited) | |
| Bud Ekins | .... | stunts (uncredited) | |
| Dick Geary | .... | stunts (uncredited) | |
| Bob Harris | .... | stunts (uncredited) | |
| Bill Hickman | .... | stunt coordinator (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunts (uncredited) | |
| Steve McQueen | .... | stunts (uncredited) | |
| Paul Nuckles | .... | stunt double: Pat Renella (uncredited) | |
| Paul Nuckles | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Jack Perkins | .... | stunts (uncredited) | |
| Alex Sharp | .... | stunts (uncredited) | |
| Tom Steele | .... | stunt driver (uncredited) | |
| Dale Van Sickel | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jack Courtland | .... | camera operator (uncredited) | |
| Douglas Freeman | .... | electrician (uncredited) | |
| William Kenney | .... | dolly grip (uncredited) | |
| Rexford L. Metz | .... | assistant camera (uncredited) | |
| Bernie Schwartz | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Alan Levine | .... | costumer | |
Editorial Department | |||
| Ralph H. Martin | .... | assistant editor | |
Music Department | |||
| Mike Deasy | .... | musician (uncredited) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Bill Hunt | .... | transportation co-captain (uncredited) | |
Other crew | |||
| Marshall J. Wolins | .... | script supervisor | |
| Max Balchowsky | .... | car modifications: Mustang Charger engine and suspension (uncredited) | |
| Pablo Ferro | .... | title designer (uncredited) | |
114 min
Color (Technicolor)
1.33 : 1 more
Iceland:12 | Portugal:M/12 | Argentina:Atp | Brazil:14 | Australia:PG (TV rating) | Australia:M | Canada:14A | Finland:K-16 | Norway:15 | Norway:16 (1968) | Singapore:PG | Sweden:15 | UK:15 | USA:PG | West Germany:16 | UK:AA (original rating)
The film's famous chase scene wasn't originally in the script. In the first draft of "Bullitt", adapted from Robert L. Pike's novel "Mute Witness", Det. Frank Bullitt was a Boston policeman who ate a lot of ice cream and never solved a case. The book had originally been bought with Spencer Tracy in mind; but with Tracy's death, the property fell into the hands of Steve McQueen and Producer Philip D'Antoni. D'Antoni added the chase and changed the location to San Francisco. more
Continuity: When Bullitt continues pursuit of the Charger after spinning off into the dirt, you can hear him upshift once as he is driving away. In the next shot you can hear him upshift another three times. It is impossible to upshift any more than three times in total in a 4-speed transmission. more
Captain Bennett:
Albert Edward Rennick, used car salesman, Chicago.
Walter Chalmers:
Who's Rennick?
Frank Bullitt:
He was the man who was shot at the Hotel Daniels. You sent us to guard the wrong man, Mr. Chalmers.
more
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...from from rogue cops who make their own rules, to... rogue cops who seriously know how to put the pedal to the medal. Only Bogie and John Wayne were cinematic tough guys before Frank Bullitt came along, and it was Bullitt that inspired Dirty Harry and every rogue cop movie as a result. If you were looking for the first modern cop thriller, well here it is. Accept no substitutes. In today's over-blown and effects laden (for better of for worse) era, people often forget that all those films began with movies like this one.
The story has Lieutenant Frank Bullitt receiving an assignment to protect a star witness in a high profile case that could bring down a powerful crime organization. Bullitt and his men take turns guarding the witness, but before long there is a hit and the witness is mortally wounded, and Bullitt takes the case into his own hands. The resulting mystery is both Grade-A Hollywood entertainment (rare these days) and a believable character portrait of a man engulfed by his work in a cruel world.
Of course one cannot talk about his movie without mentioning the legendary car chase, which is one of the best out there, but is not the main part of the movie as many make it out to be. If you see this movie just for some pedal to the medal action you will be let down. The focus of the movie is on Bullitt and the car chase, while very exciting and fun to watch, is one of the many scenes that show Bullitt's near obsession to work. Unlike today's crap action movies there is no 37 car pile up, no cars flipping over simply because the bad guys are driving them.
Also the finale of the film, a foot chase at an airport, has our hero firing two shots from his pistol and that is the only time he uses it in the movie. This film demonstrates that action is best when the result of a character's emotions and not a director's ambition to blow stuff up. Bullitt wants to get the bottom of the case, he wants to find out who's been following him around town and that is the result of the action scenes. In the end the film is a true classic and Frank Bullitt is a character to remember. 10/10
Rated PG: violence (though if it were released today, it probably would get a PG-13)