Avventuriero, L' (1967)

Director:

Terence Young

Writers:

Joseph Conrad (novel)
Jo Eisinger (writer)

Release Date:

25 March 1968 (Sweden)

Genre:

War | Drama

Plot:

Plot Keywords:

Based On Novel

Cast

Anthony Quinn	...	Peyrol
Rosanna Schiaffino	...	Arlette
Rita Hayworth	...	Aunt Caterina
Richard Johnson	...	Real
Ivo Garrani	...	Scevola
Mino Doro	...	Dussard
Luciano Rossi	...	Michel
Mirko Valentin	...	Jacot
Giovanni Di Benedetto	...	Lt. Bolt (as Gianni De Benedetto)
Anthony Dawson	...	Captain Vincent
Franco Giornelli	...	Simmons
Franco Fantasia	...	French Admiral
Fabrizio Jovine	...	Archives Officer
John Lane	...	Captain of the Port
Vittorio Venturoli	...	French Officer

Also Known As:

The Rover (USA)

Runtime:

USA:103 min

Country:

Italy

Language:

Italian

Color:

Color

Sound Mix:

Mono

Certification:

Iceland:12 | Sweden:11

Company:

Arco Film

THE ROVER (Terence Young, 1967) **

Given a very limited distribution (despite the people involved) this international production remains, even now, an obscure (and unappetizing) historical piece; not all that much of a surprise, however, since it just isn't very good – either as drama, adventure, or as an adaptation of the Joseph Conrad novel.

Director Young was an expert at action (having pretty much cemented the style of the James Bond extravaganzas); however, this is a largely talky and stodgy affair – which, perhaps in keeping with the film's very title, doesn't seem to know where it's headed! Ennio Morricone provides the suitably melancholic music; the main cast seems impressive on paper but, for the most part, it has very little to work with here – resulting in generally awkward performances. The titular seafaring character is played by Anthony Quinn – a veteran of (much better) pirate sagas, such as the prime THE BLACK SWAN (1942), the vintage AGAINST ALL FLAGS (1952; with which I should be re-acquainting myself over the next week-end, incidentally) and the similarly meaningful but more successful A HIGH WIND IN JAMAICA (1965) – whose exploits, typically for the larger-than-life actor, end in self-sacrifice (albeit a recurring motif in the author's fatalistic work as well, as can be judged from the likes of "Heart Of Darkness" and "Lord Jim").

Rosanna Schiaffino has the most difficult – and self-conscious – part as the unstable yet voluptuous woman (whose odd behavior is eventually explained in a brief flashback) protected by Quinn from harassment by the locals and the lustful attentions of her ageing 'guardian'. For an actress who had been the personification of allure and glamour, Rita Hayworth is here saddled with an unenviable frumpy look and, even worse, a thankless characterization (by the way, she and Quinn had last appeared together 26 years previously in BLOOD AND SAND [1941])! Richard Johnson's earnest officer, then, supplies belated antagonism to Quinn in the fields of both romance and patriotic duty (the setting is post-Revolutionary France).