| Photos (see all 6 | slideshow) |
Tennessee Williams (play)
Francis Ford Coppola (writer) ...
(more)
7 October 1966 (West Germany) more
Alva wanted out in the worst way. more
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income)... more | add synopsis
Nominated for Golden Globe. Another 1 win more
Sydney Pollack Dies at 73
(From IMDb News. 27 May 2008, 4:12 AM, PDT)
Natalie Wood and Redford Sparkle in this Classic Film more (37 total)
| Natalie Wood | ... | Alva Starr | |
| Robert Redford | ... | Owen Legate | |
| Charles Bronson | ... | J.J. Nichols | |
| Kate Reid | ... | Hazel Starr | |
| Mary Badham | ... | Willie Starr | |
| Alan Baxter | ... | Knopke | |
| Robert Blake | ... | Sidney | |
| Dabney Coleman | ... | Salesman | |
| John Harding | ... | Johnson | |
| Ray Hemphill | ... | Jim | |
| Brett Pearson | ... | Charlie | |
| Jon Provost | ... | Tom | |
| Robert Random | ... | Tiny (as Bob Random) | |
| Quintin Sondergaard | ... | Hank | |
| Mike Steen | ... | Max | |
| Bruce Watson | ... | Lin Tate | |
| rest of cast listed alphabetically: | |||
| Ralph Roberts | ... | A boarding house tenant (uncredited) | |
| Nick Stuart | ... | Railroad Conductor (uncredited) | |
Directed by | |||
| Sydney Pollack | |||
Writing credits | ||
| Tennessee Williams | (play) | |
| Francis Ford Coppola | (writer) (as Francis Coppola) & | |
| Fred Coe | (writer) & | |
| Edith R. Sommer | (writer) (as Edith Sommer) | |
| David Rayfiel | uncredited | |
Produced by | |||
| John Houseman | .... | producer | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Kenyon Hopkins | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| Adrienne Fazan | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Art Direction by | |||
| Philip M. Jefferies | (as Phil Jefferies) | ||
| Hal Pereira | (uncredited) | ||
Set Decoration by | |||
| William Kiernan | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Sugar Blymyer | .... | hair stylist: Ms. Wood (as Maryce Bates) | |
| Edwin Butterworth | .... | makeup artist | |
| Gary Morris | .... | makeup artist (as Garrett Morris) | |
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| Clarence Eurist | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eddie Saeta | .... | assistant director | |
Sound Department | |||
| Charles Grenzbach | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Paul K. Lerpae | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Ann Landers | .... | costumer: Ms. Wood | |
| Ted Tetrick | .... | costumer: men | |
Other crew | |||
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
110 min
Color (Technicolor)
1.85 : 1 more
Sweden:11 | West Germany:16 (f) | UK:12 (2004) | UK:X (1966) | Finland:K-16 | USA:Unrated | Singapore:PG | Argentina:18
Grayson Hall was initially considered to play Natalie Wood's mother. more
Anachronisms: The Lake Pontchartrain Causeway is shown in 1932, even though it wasn't constructed until 1956. more
References One Way Passage (1932) more
Li'l Liza Jane more
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| Gone with the Wind | Picnic | Toys in the Attic | Splendor in the Grass | The Little Foxes |
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I agree with the recent user comments praising this film. It does really portray the Old South well and puts the viewer right there. If you focus on the characters as the plot develops, it does bring on some intense emotions as you root for this poor girl to get free from her Mother and all the forces pulling at her.
I disagree with the comments regarding a lack of character development in Dobson. There was no need to develop these characters further. Also, the scenes in New Orleans are integral to the whole point of the story and the film itself, I don' understand the negative feedback about the scenes filmed in New Orleans.
Natalie Wood was gorgeous as usual and I think this is one of Robert Redford's best roles. I highly recommend this classic film. I gave it a 9 out of 10.