32 out of 39 people found the following comment useful :- I dont think this is a racist film, 7 April 2001
Author:
rabbitfist
A lot of comments hear say that this movie is obviously racist.
I think this an nervous knee jerk reaction. It definitely dose not put a
phony PC spin on colonial Africa but that doesn't mean it is racist.
Certainly the racism of the safari leader who refuses to respect the tribe
with a gift is portrayed and is most likely accurate. It should be noted
that the rest of the movie is a direct result of this racist white mans
ignorant arrogance and that the hero knows better and tries to warn
him.
It is improbable that one man, out of his element, could over come his
pursuers who must know the terrain better and have more experience hunting
and fighting with spears, however I think this is not an attempt to portray
the white man as superior but a convention of action movies (heroes can
always dodge bullets).
The idea that this movie portrays all Africans as savages is based on the
assumption that the pursuers are representative of ALL Africans which is a
bit racist in itself.
They are a particular tribe. Africa is a big continent full of many
different nations and tribes. There are other Africans present including
those in the safari party, who are not shown to be savages. There are also
two other tribes depicted towards the end. One is the village that the man
comes upon. These people wear dyed clothing and seem to have a more
advanced, structured, and less violently primal, society. The white mans
life is saved by a child from this more peaceful tribe. They are attacked by
another tribe, obviously working for colonial slave traders, who wear more
modern clothing and have guns. This really happened. Some Africans at war
with other Africans would sell their conquered foes to the white slave
traders.
When will people learn that portraying racism in all its ugliness and
complexity is not equivalent to being a racist. The man who plays the hero
was also the director. he is a white man and the story is told from his
perspective but not exclusively. Part of the films context is that of
cultures colliding, both European with African, and African with African.
Another important point to this movie is that this is an educated, civilized
man who is (literally) stripped of all the trappings of his civilization and
thrust into the primal, and universal, struggle of shear
survival.
Im no expert on Africa but from what little I have read about its history,
the movie, while a simple tale in itself, did not seem to over simplify its
portrayal of Africa.
I suspect that, quite far from being racist, the makers of this film
probably had a respect for African culture.
I could be wrong, but I doubt it.
Over all I found it to be well acted. Even though the film makers did not
have had a big Hollywood budget and may have used some stock wild life
footage, it seemed to blend seamlessly. As far as the chicken chasing scene,
I liked how comic it was. In reality a starving man, desperately chasing a
chicken around with a spear would probably look pitifully comical and I
believe the irony is intentional.
I recommend this film. I found it to be very original but if forced to
describe it I would say its a mixture of Nicolas Roeg's Walkabout (though
not as pretentious) and Conrad's Heart of Darkness.
17 out of 20 people found the following comment useful :- Just watching it made me sweat..........I drank 3 litres of water when the credits were rolling, 4 November 2004
Author:
Freddy Levit from Melbourne, Australia
*** This comment may contain spoilers ***
Here is a magnificent example of a film that can generate an atmosphere
of survivalist instinct so well, that water is the only thing that
comes to mind after viewing.
Set aside its riveting plot and direction by a new-to-film-making
olympic champion Cornel Wilde, and what you have is one of the most
atmospheric films of all time! You really feel like your there, on a
survivalist run from Tribal African Predators with only 10 seconds in
front of the nearest warrior. There is that consistent feel of stamina
and nostalgia, but there is always that sense of comfort in knowing
that the main actor is the Olympic champion runner (also director) and
that he has a great chance to make it out alive.
What surprises me most is that this film has hardly dated and the
themes the film explores regarding humanity and life still apply today.
An adventure film of lightning power that may teach us a lesson or two
- different country, different customs.......no need to be prejudiced
(A quote from 'The Man Who Would Be King' - another stellar Adventure
escapist masterpiece).
Dialogue in the film comes close to NIL, but like in a Clint Eastwood
movie, you read the emotions through the eyes and the facial
expressions . The plot is very simple and straight forward and you come
to understand the African Tribe - it is a film where no side is right,
but survival is a human instinct!
What I found most striking about this film was the cinematography and
the stock footage. It gave a sense of natural beauty, yet a sense of
emptiness and isolation - and as we are going on our journey with our
protagonist, we feel inevitably alone (that nobody can help you but
yourself) and this is why this movie stands high above many. It
projects difficulty of the situation to perfection in showing the heat
of the region, the thirst and hunger that arises from scarce vegetation
and wildlife and you cannot help but be drawn into our protagonists
struggle for hydration.
No orchestral score was provided in the background either - our
complete sense of civilization has been taken from us and we are
treated to the unfamiliar tribal drum rhythm. Towards the end, you feel
frantic for the protagonist and it is only when he starts singing the
English song that you feel the sanity is still there in such a harsh
circumstance.
It is impossible to take your eyes off the screen throughout the
running time of this masterly crafted gem of a film. It is when you see
the British headquarters at the end that you sigh with relieve after
such a long, excruciating journey.
The actors did a marvelous job. Especially the leader of the tribal
warriors. There was a real sense of humanity that came upon him when he
waved off our protagonist at the end of the film and there was a real
understanding on his face - a great performance!
This film is rare and out of print. One of those great films that
deserves so much more recognition than it received upon its release -
especially when compared to the box-office drawing Hollywood
masterpieces of mediocrity that dominate our cinema screens today. I
can only say that this is a must have in a film collection. I recommend
it to anyone who enjoys adventure thrillers, because this is one of the
best, and those who have seen it know what I am talking about. For a
rarely equaled atmospheric masterwork such as "The Naked Prey", go no
further. A forgotten 'classic' in its genre.
15 out of 17 people found the following comment useful :- The Naked Prey as pure cinema, 17 May 2006
Author:
sfoxly (sfoxly@aol.com) from Charlotte, North Carolina
The Naked Prey is one of my favorite adventure movies. It is pure
visual cinema. By that I mean the film can be shown anywhere in the
world to any age audience without translations or sub-titles. Everyone
viewing the action will understand everything that is happening on the
screen whether they understand the languages or not. Like the movie
Zulu, the antagonists are African tribesmen, but in both films, I never
had the sense the natives were evil villains. Rather, the story is
about the clash between two alien cultures, a life-or-death struggle
that keeps you on the edge of your seat from start to finish. Like
Psycho, The Naked Prey should be taught in every film class around the
world. It is perfect and pure just the way it is.
16 out of 22 people found the following comment useful :- Simple Story.....And It Works, 4 November 2006
Author:
ccthemovieman-1 from Lockport, NY, United States
Boy, this is about a simple an action story as you're going to find,
but it works, and has its interesting moments. Almost the entire film
is devoted to a safari guide/hunter being chased (for the kill) by
members of a angry tribe. Those tribe members had been insulted by an
obnoxious member of the safari group and this good-guy guide (Cornell
Wilde) has to run for his life.
Along his escape for survival, we, the viewers, are treated almost to a
National Geographic-type tour of the African jungle with many wild
animals, crocodiles, poisonous insects, snakes and - the most species
of them all: naked women!
The film looks dated here and there but it's now over 40 years old.
There is not much English dialog in here, but it's not needed.
13 out of 17 people found the following comment useful :- A Great Action Movie....And Mythological!, 2 November 2002
Author:
gibsoncraig from Indianapolis IN
If you want a basic movie review you may want to skip this entry.
However, if you are a fan of the late Joseph Campbell, or enjoy attempts
at
mythological interpretation, you might find this interesting. On the
surface, Naked Prey may appear as just a neat Tour-de-Force action film,
but
having viewed it numerous times over the past 15 years, I have found the
film to reveal a much deeper critical significance then most works of the
celluloid genre can offer.
Cornell Wilde's survival trek across the wilds of South Africa
portrays
an immensely symbolic experience that mirrors the primal journey of every
human mind and spirit. Filled with archetypes instead of personalities,
(Notice there are no names in the movie, only "Man" and the "Pursuers",
as
if they are only ideas of something) Naked Prey is a showcase for the
figurative battle that every human "fights" in their subconscious
mind.(The
sparse dialogue of the film underlines the fact that this is a movie of
the
mind)
The film's chase scenes appear as a model of the universal/eternal
cycle of life. In the film's opening, Cornel Wilde sets off from the
fortress like an infant from the womb, and influenced by choice and
chance,
goes through a figurative cycle of birth-life-death-rebirth.
A few of the movie's "props" play important roles: The harsh flora
and
fauna of the savanna act as the world of obstacles that we all must
struggle and compete within. "Stripped down", literally in this film! The
naked man must become a part of his environment in order to conqueror it.
(Just as Wilde becomes both hunter and hunted in many scenes of the
film).
Other major archetypes include the Masai tribesmen, who are not so
much
the "villians" of the story as they might represent the elements of
primal
fear. They are part of the danger, and their pursuit to catch the man is
as
relentless as the uncertanties/trials we must face as human beings. The
"Man" is not the target of their hunt solely by chance. Though
demonstrating
some "nobleness" of character, he has paritally put himself in this
position
by the reluctant choice of company he kept with the Safari.
The Man must therefore confront the unknown possibilites of the
wild,
and be willing to "die" (As he appears to briefly when dragged from the
river) before he can get back "home". His goal of "settling down" on his
farm must be put-off until he completes this "rite of passage".
Ultimately as the late mythological expert Joseph Campbell would
say,
we come to the task of the mythical hero, to accomplish that unknown goal
that brings spiritual fulfillment. Obviously, this is the "Man" who is
able,
well almost able...to return to the seminal place from which he came.
With
the help of some outside support, (The little girl, the sentry guards at
the
fort) "Man" becomes a survivor and fulfills his quest. He is able to look
back at his struggle (As we sometimes reflect on our past) with an almost
wry smile.
Though not very movie-buff would care much to turn entertainment into
philosophical study, it is to me as if these sub-conscious archetypes in
Naked Prey are unlocked gradually through the viewer's very natural
relationship to them. I don't necessarily believe that Wilde read as
deeply
into the story as I have, but then again that's the subconscious mind at
work.
Naked Prey is a very entertaining action picture. Like Boorman's
Deliverance, it just also happens to an inconspicuous mythical
masterpiece.
14 out of 19 people found the following comment useful :- Disturbingly Realistic, 5 November 2006
Author:
phatdan from Washington, USA
This is not a film for the squeamish. Footage of African elephants
being gunned down was used in this film. Some of the most horrific
brutality man can inflict on his fellow human being is depicted. How
did they get a tribe to act out these ghastly portrayals? Were these
practices once used? Binding someone, encasing them in mud, sticking a
cylindrical device in their mouth so they can breathe, allowing the mud
to harden, and then slow roasting them over a fire is much more than
primitive. It is a scenario drawn out of the deepest recesses of
depravity.
No suggestion of racism here. Both blacks and whites are hacked,
speared, and cut to pieces. Thank goodness that part of the film is
overshadowed by a thrilling chase through the wilds of Africa, which is
the gist of the story.
It is easy to conclude that many black people have been offended by the
imagery in this film. I was offended at the brutality. But, I was
captivated by the desire to make this film believable. Even the music
was traditional African. The humanity of the savage pursuers is
manifested. And finally, the bond of humanity between the hunted and
the hunter is suggested: as Cornel Wilde raises his hand to show
respect to those who so eagerly tried to kill him, the lead hunter
raises his hand as a gesture of respect and admiration. The same basic
idea can be seen in the final scenes of Zulu Dawn. After the bloodshed,
enemies become honored warriors.
9 out of 11 people found the following comment useful :- One of the best movies of the 60's, 13 February 2006
Author:
robertblanton from United States
I saw this movie when I was 16 (1966) and it has remained with me
since. Upon viewing it in later life, it is still as good as it was
then. This film has very little speaking in it, but the action will
keep the viewer sitting on the edge of his seat until the climatic end.
In short, this is a GREAT movie. It is about man's struggle against man
and man's struggle against nature. It is about the fragility of man,
whose arrogance and brutality lead him to believe he is superior to
other men and nature. Enough philosophizing. Watch this on as large a
screen as possible. By the way, Cornel Wilde was reportedly an expert
swordsman.
12 out of 17 people found the following comment useful :- Superb film., 5 June 2001
Author:
andre645 from Los Angeles, California
The Naked Prey is on my short list of the best films of all time. After a
very few minutes, the viewer will sit on the edge of his seat for a full
hour where there is virtually no dialogue. When this movie was first
released 35 years ago, I drove 30 miles across town to find and see it. It
was worth the trip. Years later, watching it on TV, they omitted (so as not
offend the viewers' sensibilities) what was one of the most effective
moments in relieving the tension in an action film I have ever seen - the
burp! The next time it was shown, I had to watch and was pleased to see it
was back in. Watch for it, and you will know what I mean. All of the
comments by naysayers about racism should be ignored. If anything, it is
one of the most anti-racist films ever made, much credit to Cornel Wilde who
made, directed and starred in the film with outstanding achievement in all
three areas. Previously known for his role as Fredric Chopin in "An Affair
to Remember", this was also one of my favourite films. As "the prey" Wilde
shows the battle not only of man against man, but man against nature in the
fight for survival and in a triumphal moment at the end he salutes his
pursuers who, in mutual respect, return his salute. What more egalitarian
gesture can one ask for in a pursuit and a fight to the death? Recommended
for all adults but for those with a weak stomach.
12 out of 17 people found the following comment useful :- Great tale of Survival and Evasion., 23 June 1999
Author:
yenlo from Auburn, Me
Not a lot of dialog in this one but it doesn't need it. Cornel Wilde is
the
manager of a charter safari to bag Elephants and encounters a group of
local
semi-friendly tribesmen who want a gift for their chief. Wilde says yes
but
his employer says no. The tribesmen a short while later cry havoc and let
slip the dogs of war on the safari. Wilde is the sole survivor after the
rampage and executions and because of his earlier good intentions to give
a
gift is allowed a head start into the jungle. After he reaches a
designated
point the chase is on. Superb character study of a man who must use all of
his knowledge and resources to not only survive but evade.
7 out of 11 people found the following comment useful :- Naked Prey is a suberb film., 7 December 2001
Author:
emurray-2 from Los Angeles, California
*** This comment may contain spoilers ***
Naked Prey is the most original film in my collection. The African scenery
and it prolific vegetation and animal life are beautifully caught. The
story pits one indomitable man against a handful of stalwart natives who
are
out to kill him. The ending is perfect. The man, who has been tracked for
days, finally salutes his native pursuers.
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The Naked Prey (1966)
32 out of 39 people found the following comment useful :-
I dont think this is a racist film, 7 April 2001
Author: rabbitfist
A lot of comments hear say that this movie is obviously racist.
I think this an nervous knee jerk reaction. It definitely dose not put a phony PC spin on colonial Africa but that doesn't mean it is racist.
Certainly the racism of the safari leader who refuses to respect the tribe with a gift is portrayed and is most likely accurate. It should be noted that the rest of the movie is a direct result of this racist white mans ignorant arrogance and that the hero knows better and tries to warn him. It is improbable that one man, out of his element, could over come his pursuers who must know the terrain better and have more experience hunting and fighting with spears, however I think this is not an attempt to portray the white man as superior but a convention of action movies (heroes can always dodge bullets). The idea that this movie portrays all Africans as savages is based on the assumption that the pursuers are representative of ALL Africans which is a bit racist in itself. They are a particular tribe. Africa is a big continent full of many different nations and tribes. There are other Africans present including those in the safari party, who are not shown to be savages. There are also two other tribes depicted towards the end. One is the village that the man comes upon. These people wear dyed clothing and seem to have a more advanced, structured, and less violently primal, society. The white mans life is saved by a child from this more peaceful tribe. They are attacked by another tribe, obviously working for colonial slave traders, who wear more modern clothing and have guns. This really happened. Some Africans at war with other Africans would sell their conquered foes to the white slave traders.
When will people learn that portraying racism in all its ugliness and complexity is not equivalent to being a racist. The man who plays the hero was also the director. he is a white man and the story is told from his perspective but not exclusively. Part of the films context is that of cultures colliding, both European with African, and African with African. Another important point to this movie is that this is an educated, civilized man who is (literally) stripped of all the trappings of his civilization and thrust into the primal, and universal, struggle of shear survival. Im no expert on Africa but from what little I have read about its history, the movie, while a simple tale in itself, did not seem to over simplify its portrayal of Africa. I suspect that, quite far from being racist, the makers of this film probably had a respect for African culture. I could be wrong, but I doubt it.
Over all I found it to be well acted. Even though the film makers did not have had a big Hollywood budget and may have used some stock wild life footage, it seemed to blend seamlessly. As far as the chicken chasing scene, I liked how comic it was. In reality a starving man, desperately chasing a chicken around with a spear would probably look pitifully comical and I believe the irony is intentional.
I recommend this film. I found it to be very original but if forced to describe it I would say its a mixture of Nicolas Roeg's Walkabout (though not as pretentious) and Conrad's Heart of Darkness.
17 out of 20 people found the following comment useful :-
Just watching it made me sweat..........I drank 3 litres of water when the credits were rolling, 4 November 2004
Author: Freddy Levit from Melbourne, Australia
*** This comment may contain spoilers ***
Here is a magnificent example of a film that can generate an atmosphere of survivalist instinct so well, that water is the only thing that comes to mind after viewing.
Set aside its riveting plot and direction by a new-to-film-making olympic champion Cornel Wilde, and what you have is one of the most atmospheric films of all time! You really feel like your there, on a survivalist run from Tribal African Predators with only 10 seconds in front of the nearest warrior. There is that consistent feel of stamina and nostalgia, but there is always that sense of comfort in knowing that the main actor is the Olympic champion runner (also director) and that he has a great chance to make it out alive.
What surprises me most is that this film has hardly dated and the themes the film explores regarding humanity and life still apply today. An adventure film of lightning power that may teach us a lesson or two - different country, different customs.......no need to be prejudiced (A quote from 'The Man Who Would Be King' - another stellar Adventure escapist masterpiece).
Dialogue in the film comes close to NIL, but like in a Clint Eastwood movie, you read the emotions through the eyes and the facial expressions . The plot is very simple and straight forward and you come to understand the African Tribe - it is a film where no side is right, but survival is a human instinct!
What I found most striking about this film was the cinematography and the stock footage. It gave a sense of natural beauty, yet a sense of emptiness and isolation - and as we are going on our journey with our protagonist, we feel inevitably alone (that nobody can help you but yourself) and this is why this movie stands high above many. It projects difficulty of the situation to perfection in showing the heat of the region, the thirst and hunger that arises from scarce vegetation and wildlife and you cannot help but be drawn into our protagonists struggle for hydration.
No orchestral score was provided in the background either - our complete sense of civilization has been taken from us and we are treated to the unfamiliar tribal drum rhythm. Towards the end, you feel frantic for the protagonist and it is only when he starts singing the English song that you feel the sanity is still there in such a harsh circumstance.
It is impossible to take your eyes off the screen throughout the running time of this masterly crafted gem of a film. It is when you see the British headquarters at the end that you sigh with relieve after such a long, excruciating journey.
The actors did a marvelous job. Especially the leader of the tribal warriors. There was a real sense of humanity that came upon him when he waved off our protagonist at the end of the film and there was a real understanding on his face - a great performance!
This film is rare and out of print. One of those great films that deserves so much more recognition than it received upon its release - especially when compared to the box-office drawing Hollywood masterpieces of mediocrity that dominate our cinema screens today. I can only say that this is a must have in a film collection. I recommend it to anyone who enjoys adventure thrillers, because this is one of the best, and those who have seen it know what I am talking about. For a rarely equaled atmospheric masterwork such as "The Naked Prey", go no further. A forgotten 'classic' in its genre.
15 out of 17 people found the following comment useful :-

The Naked Prey as pure cinema, 17 May 2006
Author: sfoxly (sfoxly@aol.com) from Charlotte, North Carolina
The Naked Prey is one of my favorite adventure movies. It is pure visual cinema. By that I mean the film can be shown anywhere in the world to any age audience without translations or sub-titles. Everyone viewing the action will understand everything that is happening on the screen whether they understand the languages or not. Like the movie Zulu, the antagonists are African tribesmen, but in both films, I never had the sense the natives were evil villains. Rather, the story is about the clash between two alien cultures, a life-or-death struggle that keeps you on the edge of your seat from start to finish. Like Psycho, The Naked Prey should be taught in every film class around the world. It is perfect and pure just the way it is.
16 out of 22 people found the following comment useful :-

Simple Story.....And It Works, 4 November 2006
Author: ccthemovieman-1 from Lockport, NY, United States
Boy, this is about a simple an action story as you're going to find, but it works, and has its interesting moments. Almost the entire film is devoted to a safari guide/hunter being chased (for the kill) by members of a angry tribe. Those tribe members had been insulted by an obnoxious member of the safari group and this good-guy guide (Cornell Wilde) has to run for his life.
Along his escape for survival, we, the viewers, are treated almost to a National Geographic-type tour of the African jungle with many wild animals, crocodiles, poisonous insects, snakes and - the most species of them all: naked women!
The film looks dated here and there but it's now over 40 years old. There is not much English dialog in here, but it's not needed.
13 out of 17 people found the following comment useful :-

A Great Action Movie....And Mythological!, 2 November 2002
Author: gibsoncraig from Indianapolis IN
If you want a basic movie review you may want to skip this entry. However, if you are a fan of the late Joseph Campbell, or enjoy attempts at mythological interpretation, you might find this interesting. On the surface, Naked Prey may appear as just a neat Tour-de-Force action film, but having viewed it numerous times over the past 15 years, I have found the film to reveal a much deeper critical significance then most works of the celluloid genre can offer. Cornell Wilde's survival trek across the wilds of South Africa portrays an immensely symbolic experience that mirrors the primal journey of every human mind and spirit. Filled with archetypes instead of personalities, (Notice there are no names in the movie, only "Man" and the "Pursuers", as if they are only ideas of something) Naked Prey is a showcase for the figurative battle that every human "fights" in their subconscious mind.(The sparse dialogue of the film underlines the fact that this is a movie of the mind) The film's chase scenes appear as a model of the universal/eternal cycle of life. In the film's opening, Cornel Wilde sets off from the fortress like an infant from the womb, and influenced by choice and chance, goes through a figurative cycle of birth-life-death-rebirth. A few of the movie's "props" play important roles: The harsh flora and fauna of the savanna act as the world of obstacles that we all must struggle and compete within. "Stripped down", literally in this film! The naked man must become a part of his environment in order to conqueror it. (Just as Wilde becomes both hunter and hunted in many scenes of the film). Other major archetypes include the Masai tribesmen, who are not so much the "villians" of the story as they might represent the elements of primal fear. They are part of the danger, and their pursuit to catch the man is as relentless as the uncertanties/trials we must face as human beings. The "Man" is not the target of their hunt solely by chance. Though demonstrating some "nobleness" of character, he has paritally put himself in this position by the reluctant choice of company he kept with the Safari.
The Man must therefore confront the unknown possibilites of the wild, and be willing to "die" (As he appears to briefly when dragged from the river) before he can get back "home". His goal of "settling down" on his farm must be put-off until he completes this "rite of passage". Ultimately as the late mythological expert Joseph Campbell would say, we come to the task of the mythical hero, to accomplish that unknown goal that brings spiritual fulfillment. Obviously, this is the "Man" who is able, well almost able...to return to the seminal place from which he came. With the help of some outside support, (The little girl, the sentry guards at the fort) "Man" becomes a survivor and fulfills his quest. He is able to look back at his struggle (As we sometimes reflect on our past) with an almost wry smile. Though not very movie-buff would care much to turn entertainment into philosophical study, it is to me as if these sub-conscious archetypes in Naked Prey are unlocked gradually through the viewer's very natural relationship to them. I don't necessarily believe that Wilde read as deeply into the story as I have, but then again that's the subconscious mind at work. Naked Prey is a very entertaining action picture. Like Boorman's Deliverance, it just also happens to an inconspicuous mythical masterpiece.
14 out of 19 people found the following comment useful :-

Disturbingly Realistic, 5 November 2006
Author: phatdan from Washington, USA
This is not a film for the squeamish. Footage of African elephants being gunned down was used in this film. Some of the most horrific brutality man can inflict on his fellow human being is depicted. How did they get a tribe to act out these ghastly portrayals? Were these practices once used? Binding someone, encasing them in mud, sticking a cylindrical device in their mouth so they can breathe, allowing the mud to harden, and then slow roasting them over a fire is much more than primitive. It is a scenario drawn out of the deepest recesses of depravity.
No suggestion of racism here. Both blacks and whites are hacked, speared, and cut to pieces. Thank goodness that part of the film is overshadowed by a thrilling chase through the wilds of Africa, which is the gist of the story.
It is easy to conclude that many black people have been offended by the imagery in this film. I was offended at the brutality. But, I was captivated by the desire to make this film believable. Even the music was traditional African. The humanity of the savage pursuers is manifested. And finally, the bond of humanity between the hunted and the hunter is suggested: as Cornel Wilde raises his hand to show respect to those who so eagerly tried to kill him, the lead hunter raises his hand as a gesture of respect and admiration. The same basic idea can be seen in the final scenes of Zulu Dawn. After the bloodshed, enemies become honored warriors.
9 out of 11 people found the following comment useful :-

One of the best movies of the 60's, 13 February 2006
Author: robertblanton from United States
I saw this movie when I was 16 (1966) and it has remained with me since. Upon viewing it in later life, it is still as good as it was then. This film has very little speaking in it, but the action will keep the viewer sitting on the edge of his seat until the climatic end. In short, this is a GREAT movie. It is about man's struggle against man and man's struggle against nature. It is about the fragility of man, whose arrogance and brutality lead him to believe he is superior to other men and nature. Enough philosophizing. Watch this on as large a screen as possible. By the way, Cornel Wilde was reportedly an expert swordsman.
12 out of 17 people found the following comment useful :-
Superb film., 5 June 2001
Author: andre645 from Los Angeles, California
The Naked Prey is on my short list of the best films of all time. After a very few minutes, the viewer will sit on the edge of his seat for a full hour where there is virtually no dialogue. When this movie was first released 35 years ago, I drove 30 miles across town to find and see it. It was worth the trip. Years later, watching it on TV, they omitted (so as not offend the viewers' sensibilities) what was one of the most effective moments in relieving the tension in an action film I have ever seen - the burp! The next time it was shown, I had to watch and was pleased to see it was back in. Watch for it, and you will know what I mean. All of the comments by naysayers about racism should be ignored. If anything, it is one of the most anti-racist films ever made, much credit to Cornel Wilde who made, directed and starred in the film with outstanding achievement in all three areas. Previously known for his role as Fredric Chopin in "An Affair to Remember", this was also one of my favourite films. As "the prey" Wilde shows the battle not only of man against man, but man against nature in the fight for survival and in a triumphal moment at the end he salutes his pursuers who, in mutual respect, return his salute. What more egalitarian gesture can one ask for in a pursuit and a fight to the death? Recommended for all adults but for those with a weak stomach.
12 out of 17 people found the following comment useful :-
Great tale of Survival and Evasion., 23 June 1999
Author: yenlo from Auburn, Me
Not a lot of dialog in this one but it doesn't need it. Cornel Wilde is the manager of a charter safari to bag Elephants and encounters a group of local semi-friendly tribesmen who want a gift for their chief. Wilde says yes but his employer says no. The tribesmen a short while later cry havoc and let slip the dogs of war on the safari. Wilde is the sole survivor after the rampage and executions and because of his earlier good intentions to give a gift is allowed a head start into the jungle. After he reaches a designated point the chase is on. Superb character study of a man who must use all of his knowledge and resources to not only survive but evade.
7 out of 11 people found the following comment useful :-
Naked Prey is a suberb film., 7 December 2001
Author: emurray-2 from Los Angeles, California
*** This comment may contain spoilers ***
Naked Prey is the most original film in my collection. The African scenery and it prolific vegetation and animal life are beautifully caught. The story pits one indomitable man against a handful of stalwart natives who are out to kill him. The ending is perfect. The man, who has been tracked for days, finally salutes his native pursuers.
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