A Man for All Seasons (1966)

Director:

Fred Zinnemann

Writers:

Robert Bolt (play)
Robert Bolt (screenplay)

Release Date:

1967 (Japan)

Genre:

Biography | Drama

Tagline:

...a motion picture for all times!

Plot:

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarriage.

Plot Keywords:

Thomas More | Divorce | Chancellor | Catholic | King Henry VIII

Awards:

Won 6 Oscars. Another 27 wins & 5 nominations

US TV Schedule:

Sun. Nov. 22

12:15 AM

TCM

Cast

Paul Scofield	...	Thomas More
Wendy Hiller	...	Alice
Leo McKern	...	Cromwell
Robert Shaw	...	Henry VIII
Orson Welles	...	Cardinal Wolsey
Susannah York	...	Margaret
Nigel Davenport	...	Duke of Norfolk
John Hurt	...	Rich
Corin Redgrave	...	Roper
Colin Blakely	...	Matthew
Cyril Luckham	...	Archbishop Cranmer
Jack Gwillim	...	Chief Justice
Thomas Heathcote	...	Boatman
Yootha Joyce	...	Averil Machin
Anthony Nicholls	...	King's Representative
John Nettleton	...	Jailer
Eira Heath	...	Matthew's Wife
Molly Urquhart	...	Maid
Paul Hardwick	...	Courtier
Michael Latimer	...	Norfolk's Aide
Philip Brack	...	Captain of Guard
Martin Boddey	...	Governor of Tower
Eric Mason	...	Executioner
Matt Zimmerman	...	Messenger
Vanessa Redgrave	...	Anne Boleyn
rest of cast listed alphabetically:
Raymond Adamson	...	(uncredited)
Trevor Baxter	...	1st Man (uncredited)
Sylvia Bidmead	...	Young Woman (uncredited)
Jack Bligh	...	Old Man in Scene 33 (uncredited)
Bridget Brice	...	Young Woman (uncredited)
Jan Carey	...	2nd Girl (uncredited)
Gladys Dawson	...	Old Woman (uncredited)
Edwin Finn	...	1st Scholar (uncredited)
Laura Graham	...	4th Girl (uncredited)
Raymond Graham	...	Academic (uncredited)
Gay Hamilton	...	2nd Handmaiden / 3rdGirl (uncredited)
Fiona Hartford	...	1st Girl / 1st Handmaiden (uncredited)
Drewe Henley	...	(uncredited)
Walter Horsbrugh	...	2nd High Court Judge (uncredited)
Ross Hutchinson	...	4th Courier (uncredited)
Donald Layne-Smith	...	2nd Scholar (uncredited)
Graham Leaman	...	1st Monk (uncredited)
Patrick Marley	...	2nd Monk (uncredited)
Julie Martin	...	2th Maid (uncredited)
Robert Mill	...	Servant (uncredited)
Robert Morris	...	Gentleman Usher (uncredited)
Arnold Peters	...	6th Courier (uncredited)
Christine Pollon	...	1st Woman (uncredited)
Arnold Ridley	...	Innkeeper (uncredited)
Iain Sinclair	...	3rd Man (uncredited)
Nick Tate	...	Master At Arms (uncredited)
Michael Wade	...	2nd servant / 2nd Young Man (uncredited)
Gina Warwick	...	3rd Handmaiden (uncredited)

Directed by
Fred Zinnemann

Writing credits
Robert Bolt		(play)
Robert Bolt		(screenplay)

Produced by
William N. Graf	....	executive producer
Fred Zinnemann	....	producer

Original Music by
Georges Delerue

Cinematography by
Ted Moore		(photographed by)

Film Editing by
Ralph Kemplen

Casting by
Robert Lennard

Production Design by
John Box

Art Direction by
Terence Marsh

Makeup Department
Eric Allwright	....	makeup artist
Helene Bevan	....	hairdresser (as Helen Bevan)
Gordon Bond	....	hairdresser
George Frost	....	makeup artist

Production Management
William Kirby	....	production supervisor

Second Unit Director or Assistant Director
Peter Bolton	....	assistant director
Patrick Carey	....	second unit director

Art Department
Peter Dukelow	....	construction manager
Josie MacAvin	....	set dresser
Roy Walker	....	assistant art director

Sound Department
Buster Ambler	....	sound
Bob Jones	....	sound
Harry Miller	....	dubbing editor

Stunts
Nosher Powell	....	stunts (uncredited)

Camera and Electrical Department
Bob Kindred	....	camera operator (as Robert Kindred)
Maurice Gillett	....	supervising electrician (uncredited)
Mike Roberts	....	camera operator (uncredited)
Robert Willoughby	....	special still photographer (uncredited)

Casting Department
Robert Lennard	....	casting

Costume and Wardrobe Department
Joan Bridge	....	color costume designer
Jackie Cummins	....	wardrobe
Elizabeth Haffenden	....	color costume designer

Editorial Department
Marcel Durham	....	assistant editor

Music Department
Georges Delerue	....	conductor

Other crew
Patrick McLoughlin	....	technical adviser
Constance Willis	....	continuity
Catherine O'Brien	....	unit publicist (uncredited)

Production Companies

• Highland Films

Distributors

• Columbia Pictures Corporation (1966) (UK) (theatrical)
• Columbia Pictures (1966) (USA) (theatrical)
• Columbia-Bavaria Filmgesellschaft m.b.H. (1967) (West Germany) (theatrical)
• National Broadcasting Company (NBC) (1975) (USA) (TV) (original airing)
• RCA/Columbia Pictures Video Ltd. (1986) (UK) (VHS)
• RCA/Columbia Pictures Home Video (1992) (USA) (video) (laserdisc)
• Columbia TriStar Home Video (1996) (USA) (video) (laserdisc)
• Video Collection International (1998) (UK) (VHS)
• Columbia TriStar Home Video (1999) (USA) (DVD)
• Columbia TriStar Home Video (2000) (UK) (DVD)
• Sony Pictures Home Entertainment (2006) (USA) (DVD)
• LK-TEL Vídeo (????) (Brazil) (VHS)

Runtime:

120 min

Country:

UK

Language:

English | Latin | Spanish | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | West Germany:12 (nf) | Brazil:Livre | Sweden:11 | Argentina:13 | Australia:G | Finland:K-12 | Singapore:PG | Spain:13 | UK:U | USA:Approved (original rating) | USA:G (re-rating) (1971)

Filming Locations:

Beaulieu River, Hampshire, England, UK

Company:

Highland Films

Trivia:

Norman Scace was offered a featured role but was not free because the dates clashed with a play.

Goofs:

Audio/visual unsynchronized: At the beginning of the film, when Cardinal Wolsey is writing a letter to Thomas More, the sound of the quill marking the paper continues for about a second after Wolsey has stopped writing.

Quotes:

Sir Thomas More: I think that when statesmen forsake their own private conscience for the sake of their public duties, they lead their country by a short route to chaos.

Movie Connections:

Referenced in Behind the Tunes: Bugs - A Rabbit for All Seasonings (2003) (V)

One of the most intelligent and moving films ever

A Man For All Seasons is an erudite examination of the old Biblical maxim: a man cannot serve two masters. Sir Thomas More (poignantly portrayed by Paul Scofield) struggles to be true to both his faith and his monarch (the lusty and hearty King Henry VIII superbly played by Robert Shaw). I think it is difficult for citizens in our present secular society to truly understand just how central a role religion played in a man's life during the period of the film; it was an age of faith when Christianity exerted the most powerful of influences on one's thinking. On a side note, the American Republic wisely sought a nation that "divided church and state." However, the fine distinction remains that it would be a state informed by faith but not run by the church. The aforementioned exemplary performances by the leads are backed by excellent supporting turns, especially from Orson Welles as the less than saintly Cardinal Wolsey and the eternally ebullient Susannah York as Sir Thomas's daughter Margaret. This is a true masterpiece that richly deserves all the accolades and plaudits it has received.