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Directed by | |||
| John Huston | |||
Writing credits | ||
| Christopher Fry | (screenplay) | |
| Mario Soldati | uncredited | |
| Orson Welles | uncredited | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
| Luigi Luraschi | .... | associate producer | |
Original Music by | |||
| Toshirô Mayuzumi | (musical score) (as Toshiro Mayuzumi) | ||
| Ennio Morricone | (uncredited) | ||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ralph Kemplen | |||
| Alberto Gallitti | (uncredited) | ||
Casting by | |||
| Guidarino Guidi | |||
Art Direction by | |||
| Mario Chiari | |||
Costume Design by | |||
| Maria De Matteis | |||
Makeup Department | |||
| Alberto De Rossi | .... | makeup supervisor | |
| Elda Magnanti | .... | hairdresser | |
Production Management | |||
| Bruno Todini | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vana Caruso | .... | assistant director | |
| Ernst Haas | .... | second unit director (segment "The Creation") | |
| Ottavio Oppo | .... | assistant director | |
Art Department | |||
| Bruno Avesani | .... | set dressing | |
| Enzo Eusepi | .... | set dressing | |
| Stephen B. Grimes | .... | associate art director (as Stephen Grimes) | |
| Aldo Puccini | .... | set construction | |
| Pasquale Romano | .... | assistant art director | |
| Mario Scisci | .... | set construction | |
| Tani | .... | property master | |
| Luciano Puccini | .... | assistant set decorator (uncredited) | |
| Italo Tomassi | .... | scene painter (uncredited) | |
Sound Department | |||
| Basil Fenton-Smith | .... | sound recordist | |
| Leslie Hodgson | .... | sound editor | |
| Fred Hynes | .... | sound recording supervisor | |
| Murray Spivack | .... | sound recordist | |
| John Blunk | .... | sound effects editor (uncredited) | |
| Wayne Fury | .... | sound effects editor (uncredited) | |
| Marvin Walowitz | .... | sound effects editor (uncredited) | |
| James D. Young | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Zeus Ianiro | .... | special projector: sun effects | |
| Augie Lohman | .... | special effects | |
Visual Effects by | |||
| Linwood G. Dunn | .... | special optical effects: Film Effects of Hollywood (as Linwood Dunn) | |
Camera and Electrical Department | |||
| Giuseppe Di Biase | .... | first assistant camera (as Pino Di Biase) | |
| Giuseppe Maccari | .... | camera operator | |
| Piero Servo | .... | assistant camera | |
| Donald C. Rogers | .... | photographer: second unit (uncredited) | |
Editorial Department | |||
| Eunice Mountjoy | .... | assistant to film editor | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
| Gilbert D. Marchant | .... | music editor (as Gilbert Marchant) | |
| Murray Spivack | .... | music recordist | |
| Goffredo Petrassi | .... | musical advisor (uncredited) | |
Other crew | |||
| Yvonne Axeworthy | .... | script girl (as Yvonne Axworthy) | |
| Romano Dandi | .... | production assistant | |
| Dino De Laurentiis | .... | presenter | |
| Katherine Dunham | .... | choreographer | |
| Monsignor Salvatore Garofalo | .... | consultant (as Mons. Salvatore Garofalo) | |
| Gladys Hill | .... | associate: John Huston | |
| Angelo Lombardi | .... | zoological consultant | |
| Prof. The Rev. W.M. Merchant | .... | consultant (as Professor the Rev. W.M. Merchant) | |
| Giorgio Morra | .... | production assistant | |
| Ralph Serpe | .... | assistant to producer | |
| Fred Sidewater | .... | assistant to producer | |
| Emilio Villa | .... | historical advisor (uncredited) | |
Thanks | |||
| Mirko Basaldella | .... | acknowledgment: Dino De Laurentiis and John Huston wish to thank the following artists for their co-operation (as Mirko) | |
| Corrado Cagli | .... | acknowledgment: Dino De Laurentiis and John Huston wish to thank the following artists for their co-operation | |
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| Noah's Ark | San Paolo | The Belly of the Beast | Solomon and Sheba | The Ten Commandments |
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In her memoirs ,Ava Gardner wrote that she hated some of her lines,notably when she had to tell her servant she would give children to her husband ."I just cannot say that,it's not my style" But the director answered:"my dear,you will".
"The Bible" is par excellence the movie Huston's fans love to hate ;other examples are "the roots of Heaven" or "the barbarian and the geisha " .Hindsight displays its charms:first,it is an accurate rendition of the Genesis (the title reads "in the beginning" and it is exactly what it is).There's more voice over than dialog but if you have read the Bible (and I'm sure you have)you know that the characters have only a few lines to say .
Chapters include the Creation and the wonders of nature ;Adam and Eve;Abel and Cain (should Abel have gone veggie,crime would never happen );Noah 's ark where the animals went in two by two just to get out of the rain and the huge hippopotamus -featured in the movie- did not get stuck in the door ,thanks to the patriarch's watchful eye (played by the director himself);Nemrod (a hardly recognizable Stephen Boyd)and the tower of Babel;Abraham whose segment is the most important in the whole movie (about one hour is given over to his alliance with God,Sara and Agar -the scene of the pieces of dried fruit is worth the price of admission-,Isaac,Jehovah asking the patriarch to kill Him a son );and Loth's adventures in Sodom where the Angel warns him :do not
look back when you escape from the doomed city .Poor wife! The cinematography is splendid ,particularly in the first sequences .But the most satisfying sequences are to be found towards the end: Abraham's sacrifice takes place in the desert among ruins and here Huston seems to transcend his subject whereas in the other segments ,he only makes a picture book.
Compared to Sergio Leone's "Sodom and Gomorrah",is it so bad?