| William Sylvester | ... | Paul Baxter | |
| Hubert Noël | ... | Count Sinistre (as Hubert Noel) | |
| Carole Gray | ... | Tania | |
| Tracy Reed | ... | Karen Steele | |
| Diana Decker | ... | Madeleine Braun | |
| Rona Anderson | ... | Anne Forest | |
| Peter Illing | ... | Inspector Malin | |
| Gerard Heinz | ... | Bouvier - the Hotel Manager | |
| Brian Oulton | ... | The Colonel | |
| Walter Brown | ... | Bruno | |
| Eddie Byrne | ... | Dr. Robert Kelsey | |
| Victor Brooks | ... | Inspector Hardwick | |
| Marie Burke | ... | Old Gypsy Woman | |
| Marianne Stone | ... | The Duchess | |
| Avril Angers | ... | Midge | |
| John Taylor | ... | Sgt. Miller | |
| Frank Forsyth | ... | Antique Shop Caretaker | |
| Geoffrey Kenion | ... | Keith Forest | |
| Rod McLennan | ... | Dave | |
| Murray Kash | ... | Gypsy Chief | |
| Burnell Tucker | ... | Derek | |
| Margaret Denver | ... | Tania's Mother | |
| Olwen Brookes | ... | Landlady | |
| Billy Milton | ... | Librarian | |
| rest of cast listed alphabetically: | |||
| Julie Mendez | ... | Snake Dancer (uncredited) | |
Directed by | |||
| Lance Comfort | |||
Writing credits | ||
| Lyn Fairhurst | (original story and screenplay) | |
Produced by | |||
| Tom Blakeley | .... | producer | |
Original Music by | |||
| Bernie Fenton | |||
Cinematography by | |||
| Reginald H. Wyer | (photographed by) (as Reg Wyer) | ||
Film Editing by | |||
| John Trumper | |||
Art Direction by | |||
| John St. John Earl | |||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
| Biddy Chrystal | .... | hairdressing | |
Production Management | |||
| John Comfort | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roy Baird | .... | assistant director | |
| Ian Goddard | .... | second assistant director (uncredited) | |
| Barrie Melrose | .... | second assistant director (uncredited) | |
Art Department | |||
| George Noonan | .... | prop buyer (uncredited) | |
Sound Department | |||
| Robert T. MacPhee | .... | sound recordist (as Robert T. Macphee) | |
| Gordon K. McCallum | .... | sound recordist | |
| Otto Snel | .... | sound recordist (uncredited) | |
| Vivian Temple-Smith | .... | sound camera operator (uncredited) | |
Camera and Electrical Department | |||
| Frank Drake | .... | camera operator | |
Costume and Wardrobe Department | |||
| Muriel Dickson | .... | wardrobe | |
Editorial Department | |||
| Roy Taylor | .... | assistant editor (uncredited) | |
Music Department | |||
| Bernie Fenton | .... | music arranger | |
| Frank Patten | .... | musical advisor | |
| Bernie Fenton | .... | conductor (uncredited) | |
Other crew | |||
| Leo Kharibian | .... | dance deviser and arranger | |
| Julie Mendez | .... | speciality snakedancer | |
| Muirne Van Wyk | .... | continuity (as Muirne Mathieson) | |
| Recent Posts (updated daily) | User |
|---|---|
| Art Director | sarah-earl |
| Was this movie possibly in 3D orig? | lvsmuvees |
| Locations | brian say__ |
![]() |
![]() |
![]() |
![]() |
![]() |
| The Reaping | Let Us Go and Burn Her Body; Or, The Devil Done Let Out | The Nightmare Before Christmas | The Kiss of the Vampire | Twins of Evil |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
I had never heard of this one when it was announced as part of the revived "Midnite Movies" line of DVD releases paired with the renowned WITCHCRAFT (1964); frankly, I was disappointed that this obscure title was chosen over, say, NIGHT OF THE EAGLE (1962) which would have been the ideal companion to Don Sharp's film. In any case, it did seem rather intriguing from the colorful stills posted on Internet sites which reviewed the disc(s) but, all in all, it emerged as pretty goofy, with risible accents and several instances of wildly dated 60s modishness; in fact, an unexpected degree of camp is present in the lengthy pre-credits gypsy dance sequence, when depicting the 'degenerate' lifestyle of a group of ostensible bohemians (read bitchy lesbians and buffoonish, tipsy gentlemen) and the climactic Satanic ceremony!
The narrative, then, provides an unholy mishmash with little rhyme or reason of popular horror themes: vampirism, witchcraft and, most bafflingly, body-snatching are all called upon by the oddly female screenwriter. Clearly, this was made by people with no proper knowledge of genre convention: consequently, the end result is aloof and forgettable, if undeniably good-looking (particularly prevalent are the vivid, velvet robes sported by the Satanists) and eminently watchable; in essence, this lies somewhere between the generic output of Hammer and AIP. Predictably, most of the characters initially skeptical author William Sylvester comes into contact with turn out to be members of the devil/vampire cult. In the same vein (pardon the pun!), the police inspector investigating the various mysterious deaths and disappearances starts off as hostile but gradually becomes sympathetic not to mention, a believer in the supernatural! Unfortunately, the film's slow-moving 88 minutes (misprinted as an even heftier 124 on the DVD back cover!) are capped by a rushed and altogether weak climax.
Sylvester makes for a likable if wooden lead; he had already appeared in another notable horror film DEVIL DOLL (1964) and would later feature in 2001: A SPACE ODYSSEY (1968). Hubert Noel, though lacking most of the qualities one typically associates with a bloodsucker (not that "Le Comte Sinistre" sees much action in this respect since all he seems concerned about is to recover his precious talisman!), along with Carole Gray (as the intended gypsy bride of the vampire who, for whatever reason, is jilted by him in favor of the former!), make a rather arresting pair of villains. The belatedly-introduced Tracy Reed is a striking, redheaded heroine she is Carol Reed's niece, Oliver Reed's cousin and director Anthony Pelissier's daughter, and is best-known for portraying George C. Scott's bikini-clad secretary in DR. STRANGELOVE (1964)! Curiously enough, as I lay watching, I pondered on how it would have effected the film had Gray and Reed exchanged roles...