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Richard Maibaum (screenplay) &
Paul Dehn (screenplay)
(more)
9 January 1965 (USA) more
Miss Honey and Miss Galore Have James Bond Back For More! more
Investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve. full summary | add synopsis
Won Oscar. Another 4 wins & 3 nominations more
Ten Things You Never Knew About Shirley Bassey
(From digitalspy. 10 November 2009, 10:00 PM, PST)
AFI's 100 Years ...100 Movie Quotes
(From Extra. 4 November 2009, 4:45 AM, PST)
Memories "Galore" For This Bond Film more (320 total)
Directed by | |||
| Guy Hamilton | |||
Writing credits | ||
| Richard Maibaum | (screenplay) & | |
| Paul Dehn | (screenplay) | |
| Ian Fleming | (novel) uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Peter Murton | |||
Makeup Department | |||
| Basil Newall | .... | makeup artist | |
| Paul Rabiger | .... | makeup artist | |
| Eileen Warwick | .... | hairdresser | |
Production Management | |||
| L.C. Rudkin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frank Ernst | .... | assistant director | |
| Richard Jenkins | .... | second assistant director (uncredited) | |
| Michael G. Wilson | .... | third assistant director (uncredited) | |
Art Department | |||
| Freda Pearson | .... | set dresser | |
| Maurice Pelling | .... | assistant art director | |
| Michael White | .... | assistant art director | |
| John Chisholm | .... | prop man (uncredited) | |
| Peter Lamont | .... | draughtsman (uncredited) | |
| Ron Quelch | .... | production buyer (uncredited) | |
Sound Department | |||
| Gordon K. McCallum | .... | sound recordist (as Gordon McCallum) | |
| Dudley Messenger | .... | sound recordist | |
| Harry Miller | .... | dubbing editor | |
| Norman Wanstall | .... | dubbing editor | |
| Charlie McFadden | .... | boom operator (uncredited) | |
| Otto Snel | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Frank George | .... | special effects assistant | |
| John Stears | .... | special effects | |
| Wally Armitage | .... | special effects (uncredited) | |
| Joe Fitt | .... | special effects technician (uncredited) | |
| Fred Heather | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Bert Luxford | .... | special effects technician (uncredited) | |
| Jimmy Ward | .... | special effects (uncredited) | |
Visual Effects by | |||
| William Creighton | .... | carpenter: Fort Knox model (uncredited) | |
| Cliff Culley | .... | optical effects supervisor (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| John Winbolt | .... | camera operator | |
| David Watkin | .... | cinematographer: title sequence (uncredited) | |
Costume and Wardrobe Department | |||
| Elsa Fennell | .... | wardrobe supervisor | |
| John Hilling | .... | wardrobe master | |
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| Ben Rayner | .... | assembly editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Shirley Bassey | .... | singer: title song | |
| Leslie Bricusse | .... | lyrics: title song | |
| Anthony Newley | .... | lyrics: title song | |
| Monty Norman | .... | composer: The "James Bond" theme | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Bobby Graham | .... | musician: drums (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Albert R. Broccoli | .... | presenter | |
| Robert Brownjohn | .... | title designer | |
| Charles Russhon | .... | technical adviser | |
| Harry Saltzman | .... | presenter | |
| Constance Willis | .... | continuity girl | |
| Charles Russhon | .... | government liaison: USA (uncredited) | |
| Charles Russhon | .... | military liaison: Kentucky (uncredited) | |
| Pierre Salinger | .... | liaison: USA (uncredited) | |
| Bob Simmons | .... | body double: James Bond, in opening sequence (uncredited) | |
| Terence Young | .... | director: pre-production (uncredited) | |
Gold Finger (International: English title) (alternative spelling)
Ian Fleming's Goldfinger (UK) (complete title)
more
110 min
Color (Technicolor)
1.37 : 1 more
Mono (Westrex Recording System)
Canada:PG (Manitoba/Ontario) | Singapore:PG | Canada:13+ (Quebec) (original rating) | Canada:A (Nova Scotia) | Canada:G (Quebec) (re-rating) (2003) | Iceland:12 | Ireland:PG | West Germany:16 (nf) | South Korea:15 | New Zealand:M | Spain:18 | Portugal:M/12 | Canada:PG (video rating) | Argentina:13 | Australia:M | Finland:K-16 | Netherlands:12 (video rating) | Norway:15 | Norway:16 (original rating) | Peru:14 | Sweden:15 | UK:PG (video rating) | USA:Approved (certificate #20808) | USA:GP (re-rating) (1971) | USA:PG (re-rating) (1994) | UK:A (original rating) (cut) | Brazil:14
First film in which Bond (not a look-alike we are made to believe is Bond) appears in the pre-credits teaser. more
Continuity: Bond walks into Goldfinger's suite to find Jill Masterson laying on her stomach, talking on the short-wave radio. In the reverse shot, she is on her back. more
[first lines]
Sierra:
Congratulations.
James Bond:
Thank you.
Sierra:
Mr. Ramirez and his friends will be out of business.
James Bond:
At least they won't be using heroin flavored bananas to finance revolutions.
more
Featured in "Take Thirty: Sean Connery on Being Bond" (1965) more
Goldfinger more
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Whether it's my nostalgia talking or a plain fact, I've always looked at this as the best James Bond film ever produced. It had the most memorable characters and scenes I can remember over these four decades of Bond films. Yes, it's dated by now and not as exciting as when it came out, but it's a treasure among the films of the 1960s.
It has a winning combination of good action, drama, romance and comedy. Best of all, it has great characters that all of us who first saw it years ago still remember: "Auric Goldfinger," Oddjob,." and - of course - "Pussy Galore," one of the all-time great names in the history of film!
The story moves fast without overdoing the action. Sure some of it - especially today - looks contrived and corny, but that's part of the fun and charm of the film. Meanwhile, Bond's Aston-Martin DB5 sports car will never go out of style. It's still very cool.....like the film.