Austerlitz (1960)

User Rating:

5.6/10   

Director:

Abel Gance

Writers:

Abel Gance (writer)
Nelly Kaplan (writer)

Release Date:

1960 (Yugoslavia)

Genre:

Drama | History

Plot:

Another of Napoleon's adventures in this epic reconstruction of the battle of Austerlitz, where he had the greatest victory of his career...

Plot Keywords:

Battle | Emperor | 1800s | Based On Historical Events | Europe

Cast

Pierre Mondy	...	Napoléon Bonaparte
Martine Carol	...	Joséphine de Beauharnais
Claudia Cardinale	...	Pauline Bonaparte
Leslie Caron	...	Mlle de Vaudey
Vittorio De Sica	...	Pope Pius VII
Elvire Popesco	...	Laetitia Bonaparte
Jean Marais	...	Carnot
Michel Simon	...	Alboise
Orson Welles	...	Robert Fulton
Georges Marchal	...	Le maréchal Jean Lannes
Jack Palance	...	General Weirother
Jean-Louis Trintignant	...	Ségur fils
Rossano Brazzi	...	Lucien Bonaparte
Jean Mercure	...	Talleyrand
Anna-Maria Ferrero	...	Elisa Bonaparte

Also Known As:

Battaglia di Austerlitz, La (Italy)
Napoleone ad Austerlitz (Italy)
The Battle of Austerlitz (USA)

Runtime:

Argentina:166 min | France:166 min | USA:122 min

Country:

France | Italy | Yugoslavia | Liechtenstein

Language:

French

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Argentina:16 | Finland:K-16 | Iceland:L

Company:

Compagnie Internationale de Productions Cinématographiques (CIPRA)

Trivia:

In the 1920s, Abel Gance had written a six-part movie biography of Napoleon. He shot the first part (Napoléon (1927)), which turned out to be a financial disaster. He sold the sixth part to Lupu Pick who shot Napoleon auf St. Helena (1929). Wanting to make a come back at the end of the fifties, he rewrote the third part to make it "Austerlitz".

Goofs:

Factual errors: In the scene in William Pitt's office in London which is set in the early 1800's, you can see in the background through the window the Houses of Parliament and Big Ben, 60 years before they were built.

Back to history

...and to "Napoleon" whose life Gance transferred to the screen in the silent era.Sandwiched between two very underrated Gance works ("la Tour de Nesles" and "Cyrano et D'Artagnan" )it is a return to "real " "true" history.I will go as far as saying that Gance impressed me much more when his movies dealt with fictionalized history (the two mentioned movies,but "j'accuse" too)."Austerlitz has something academic ,conventional.It has nothing of Gance's madness.The first part is a stream of stars from Martine Carol to Claudia Cardinale ,from Jean Marais to Orson Welles (in a part which reminds us how Gance was interested in the development of science through the centuries ,à la Jules Verne,we find this interest in "Cyrano" and "J'accuse" too).THe lead is a good actor but he might be ,on an international level, the least known of them all:Pierre Mondy's name is buried in the cast and credits and although he is on the screen from the beginning to the end,his name is not bigger than that of Welles who appears barely five minutes.Ah fame! The first part has only one sequence where we find back the inventive Gance:we do not attend the coronation in Notre Dame ;the marechal de Ségur (Jean-Louis Trintignant) tells the whole story with the model in front of a strange audience:servants ;then the "mamma " ("pourvu que ça dure!=lets hope it lasts!") ,Napoleon's mother (Elvire Popesco) enters and her tears begin to flow .Although David put her in his famous painting she did not attend the ceremony.

The second part is more historically interesting ,but if you are not fond of military strategy ,you may stop yourself yawning.Fortunately a soldier of the old guard of Napoléon (un "grognard" )played by Michel Simon brings a bit of life among these troop movements.

Last but not least:I have always asked myself why a convinced pacifist such as Gance (his two versions of "j'accuse" may be the strongest anti-war films ever)could be so fascinated by a warrior such as Napoleon.