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Erdman Penner (story)
Charles Perrault (story)
(more)
6 February 1959 (Brazil) more
Now the magic moment! Full-length feature fantasy - Beautiful beyond belief more
A snubbed malevolent fairy casts a curse on a princess that only a prince can break, with the help of three good fairies. full summary | full synopsis
Nominated for Oscar. Another 2 nominations more
Designing for Beautility: Where Beauty Meets Utility
(From Fast Company. 3 November 2009, 12:00 PM, PST)
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(From EW.com - PopWatch. 31 October 2009, 7:00 AM, PDT)
One of the finest films of the 1950's more (95 total)
| Mary Costa | ... | Princess Aurora (voice) | |
| Bill Shirley | ... | Prince Phillip (voice) | |
| Eleanor Audley | ... | Maleficent (voice) | |
| Verna Felton | ... | Flora (voice) | |
| Barbara Luddy | ... | Merryweather (voice) | |
| Barbara Jo Allen | ... | Fauna (voice) | |
| Taylor Holmes | ... | Stefan (voice) | |
| Bill Thompson | ... | Hubert (voice) | |
| rest of cast listed alphabetically: | |||
| Bill Amsbery | ... | Maleficent's Goon (voice) (uncredited) | |
| Candy Candido | ... | Maleficent's Goon (voice) (uncredited) | |
| Pinto Colvig | ... | Maleficent's Goon (voice) (uncredited) | |
| Dal McKennon | ... | Owl (voice) (uncredited) | |
| Marvin Miller | ... | Narrator (voice) (uncredited) | |
| Thurl Ravenscroft | ... | Singer (voice) (uncredited) | |
Directed by | |||
| Clyde Geronimi | (supervising) | ||
Writing credits | ||
| Erdman Penner | (story adaptation) | |
| Charles Perrault | (story "Sleeping Beauty") | |
| Joe Rinaldi | (additional story) & | |
| Winston Hibler | (additional story) & | |
| Bill Peet | (additional story) & | |
| Ted Sears | (additional story) & | |
| Ralph Wright | (additional story) & | |
| Milt Banta | (additional story) | |
Original Music by | |||
| Jack Lawrence | (musical score) (uncredited) | ||
Film Editing by | |||
| Roy M. Brewer Jr. | |||
| Donald Halliday | |||
Production Design by | |||
| Ken Anderson | |||
| Don DaGradi | |||
Production Management | |||
| Ken Peterson | .... | production supervisor | |
Sound Department | |||
| Robert O. Cook | .... | sound supervisor | |
Visual Effects by | |||
| Jack Boyd | .... | effects animator | |
| Jack Buckley | .... | effects animator | |
| Ub Iwerks | .... | special processes | |
| Eustace Lycett | .... | special processes | |
| Dan MacManus | .... | effects animator | |
| Joshua Meador | .... | effects animator | |
| Bob Abrams | .... | effects animator (uncredited) | |
| Abra Grupp | .... | digital paint artist (restored version) (uncredited) | |
| Dorse A. Lanpher | .... | assistant effects animator (uncredited) | |
Animation Department | |||
| Hal Ambro | .... | character animator | |
| Dick Anthony | .... | background artist | |
| Ray Aragon | .... | layout artist | |
| Frank Armitage | .... | background artist | |
| Bob Carlson | .... | character animator | |
| Eric Cleworth | .... | character animator | |
| Tom Codrick | .... | layout artist | |
| Basil Davidovich | .... | layout artist | |
| Marc Davis | .... | directing animator | |
| Al Dempster | .... | background artist | |
| Eyvind Earle | .... | color stylist | |
| Blaine Gibson | .... | character animator | |
| Don Griffith | .... | layout artist | |
| Victor Haboush | .... | layout artist | |
| Joe Hale | .... | layout artist | |
| Jack Huber | .... | layout artist | |
| Ralph Hulett | .... | background artist | |
| Ken Hultgren | .... | character animator | |
| Ollie Johnston | .... | directing animator | |
| Homer Jonas | .... | layout artist | |
| Milt Kahl | .... | directing animator | |
| John Kennedy | .... | character animator | |
| Hal King | .... | character animator | |
| Fred Kopietz | .... | character animator | |
| Bill Layne | .... | background artist | |
| John Lounsbery | .... | directing animator | |
| Don Lusk | .... | character animator | |
| Fil Mottola | .... | background artist | |
| George Nicholas | .... | character animator | |
| Ernie Nordli | .... | layout artist (as Erni Nordli) | |
| Ken O'Brien | .... | character animator | |
| Tom Oreb | .... | character stylist | |
| Walt Peregoy | .... | background artist | |
| Anthony Rizzo | .... | background artist | |
| John Sibley | .... | character animator | |
| McLaren Stewart | .... | layout artist | |
| Henry Tanous | .... | character animator | |
| Frank Thomas | .... | directing animator | |
| Richard H. Thomas | .... | background artist | |
| Harvey Toombs | .... | character animator | |
| Thelma Witmer | .... | background artist | |
| Robert W. Youngquist | .... | character animator (as Bob Youngquist) | |
| Don Bluth | .... | assistant animator (uncredited) | |
| Chuck Jones | .... | layout artist (uncredited) | |
| Gary Mooney | .... | assistant animator (uncredited) | |
| Floyd Norman | .... | clean-up artist (uncredited) | |
| Floyd Norman | .... | inbetween artist (uncredited) | |
| Phil Roman | .... | assistant animator (uncredited) | |
Casting Department | |||
| Ken Peterson | .... | casting: animation artists (uncredited) | |
Music Department | |||
| Tom Adair | .... | songs | |
| George Bruns | .... | songs | |
| Sammy Fain | .... | songs | |
| Winston Hibler | .... | songs | |
| Evelyn Kennedy | .... | music editor | |
| Jack Lawrence | .... | songs | |
| Erdman Penner | .... | songs | |
| John Rarig | .... | choral arrangement | |
| Ted Sears | .... | songs | |
| Frederick Stark | .... | conductor (uncredited) | |
Other crew | |||
| Les Clark | .... | sequence director | |
| Walt Disney | .... | presenter | |
| Eric Larson | .... | sequence director | |
| Wolfgang Reitherman | .... | sequence director | |
| Eleanor Audley | .... | live action model: Maleficent (uncredited) | |
| Frances Bavier | .... | live action model: Fairy (uncredited) | |
| Madge Blake | .... | live action model: Fairy (uncredited) | |
| Spring Byington | .... | live action model: Fairy (uncredited) | |
| Jane Fowler | .... | live action model: Maleficent (uncredited) | |
| Ed Kemmer | .... | live action model: Prince Phillip (uncredited) | |
| Helene Stanley | .... | live action model: Princess Aurora (uncredited) | |
75 min
Color (Technicolor)
2.20 : 1 more
Stereo (original release) | 70 mm 6-Track (RCA Sound Recording) (70 mm prints) | Dolby Digital (DVD version) | Mono (35 mm prints) (RCA Sound Recording)
West Germany:o.Al. | Iceland:L | Portugal:M/6 | South Korea:All | Canada:G (video rating) | USA:G (re-rating) (1970) | USA:Approved (certificate #19062) (original rating) | Finland:K-3 (2008) (DVD release) | Argentina:Atp | Australia:G | Chile:TE | Finland:K-8 (1959) | Peru:PT | Spain:T | Sweden:7 (re-release) | Sweden:Btl | UK:U | Brazil:Livre
For the first time on a Disney animated feature, one man was in charge of the color styling, background design, and the overall look of the film. Eyvind Earle's modernistic approach to design and painting resulted provided this film a bold, unique art style, even though Earle's colleagues did not care for his production methods and art style while the film was in production. more
Continuity: During the song "Once Upon A Dream" in the forest, Briar Rose places her shawl and picnic basket on the log. When it goes back to the log, they both disappear. more
[first lines]
Narrator:
In a faraway land, long ago, there lived a King and his fair Queen. Many years they had longed for a child, and finally their wish was granted. A daughter was born, and they called her Aurora. Yes, they named her after the dawn, for she filled their lives with sunshine. Then a great holiday was proclaimed throughout the land, so that all of high or low estate could pay homage to the infant Princess. And our story begins on that most joyful day...
more
Featured in DTV: Golden Oldies (1984) (V) more
Once Upon a Dream more
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In its scale, beauty, and dramatic power, Sleeping Beauty stands as (I think at least) the pinnacle of Disney's animated features. While in terms of cultural significance, it holds a second tiara to Snow White and Fantasia, it is set apart by its richly detailed, groundbreaking expressionistic design. The Disney animators had decidedly moved away from the European storybook feel of its 30's and 40's triumphs with Alice in Wonderland (1951) and Lady and the Tramp (1955), yet it was Sleeping Beauty that was the most radical departure. With its $6 million budget, the film has an epic sweep and scope never before achieved in animation. From the crowds of celebrators in the beginning to the tremendous size of King Richard's throne room, it achieves a tremendous feel of space and depth pioneered by the multi-plane work in Snow White and Fantasia. The film shows many other applications of the lessoned learned from the great experiment of Fantasia, particularly the remarkable scene of the three fairies bestowing their gifts on the infant princess. The camera pans up and off into dreamy, surreal vignettes slightly reminiscent of Fantasia's "Toccata in Fugue" segment. Its one of animation's finest moments. Yet what surely is the most memorable element of this film in the eyes of many viewers is its villain, the Marc Davis creation, Maleficent. Voiced by longtime Disney staple Eleanor Audley, she is easily Disney's most overtly evil villain. Davis' brilliant streamlined design exudes of an infernal elegance (complete with demonic horns). She carries a royal nobility that only adds to her ambiguous, sinister nature as well as to her dramatic presence. She slanders and cackles and proclaims her evil decrees with such bile and disgust it's almost overwhelming. In the final conflict between Prince Phillip, she cries out in utter fury, "Now shall you deal with me, o prince, and all the powers of hell!" Lightning cracks, smoke gathers and Maleficent rises, now changed into a fire-breathing dragon. It is one of Disney's most daring moments and very well one of its finest. Sleeping Beauty is a masterpiece, a tremendous artistic triumph from one of Hollywood's most successful and prolific studios. Its artistry, dramatic power, and compelling performances stand it along side the great American films of the decade, which is a fact not stated often enough.