| Photos (see all 10 | slideshow) | Videos |
| Spencer Tracy | ... | Richard Sumner | |
| Katharine Hepburn | ... | Bunny Watson | |
| Gig Young | ... | Mike Cutler | |
| Joan Blondell | ... | Peg Costello | |
| Dina Merrill | ... | Sylvia Blair | |
| Sue Randall | ... | Ruthie Saylor | |
| Neva Patterson | ... | Miss Warriner | |
| Harry Ellerbe | ... | Smithers | |
| Nicholas Joy | ... | Mr. Azae | |
| Diane Jergens | ... | Alice | |
| Merry Anders | ... | Cathy | |
| Ida Moore | ... | Old Lady | |
| Rachel Stephens | ... | Receptionist | |
| rest of cast listed alphabetically: | |||
| Bill Duray | ... | Member of the Board (uncredited) | |
| Harry Evans | ... | Member of the Board (uncredited) | |
| Jesslyn Fax | ... | Mrs. Hewitt (uncredited) | |
| Richard Gardner | ... | Fred (uncredited) | |
| Charles Heard | ... | Member of the Board (uncredited) | |
| Jack G. Lee | ... | Member of the Board (uncredited) | |
| Renny McEvoy | ... | Man (uncredited) | |
| Martin Milner | ... | Bit part (uncredited) | |
| Shirley Mitchell | ... | Myra Smithers (uncredited) | |
| King Mojave | ... | Member of the Board (uncredited) | |
| Sammy Ogg | ... | Kenny (uncredited) | |
| Don Porter | ... | Elevator operator Don (uncredited) | |
| Lou Southern | ... | Dancer (uncredited) | |
| Hal Taggart | ... | Member of the Board (uncredited) | |
Directed by | |||
| Walter Lang | |||
Writing credits | ||
| Phoebe Ephron | (screenplay) and | |
| Henry Ephron | (screenplay) | |
| William Marchant | (play) | |
Produced by | |||
| Henry Ephron | .... | producer | |
Original Music by | |||
| Cyril J. Mockridge | |||
Cinematography by | |||
| Leon Shamroy | |||
Film Editing by | |||
| Robert L. Simpson | (as Robert Simpson) | ||
Art Direction by | |||
| Maurice Ransford | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Paul S. Fox | |||
| Walter M. Scott | |||
Costume Design by | |||
| Charles Le Maire | (executive wardrobe designer) (as Charles LeMaire) | ||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Hal Herman | .... | assistant director | |
Sound Department | |||
| Harry M. Leonard | .... | sound | |
| E. Clayton Ward | .... | sound | |
Special Effects by | |||
| Ray Kellogg | .... | special photographic effects | |
Camera and Electrical Department | |||
| Clyde Taylor | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Lionel Newman | .... | conductor | |
| Edward B. Powell | .... | orchestrator | |
Other crew | |||
| Lawrence Carr | .... | producer: play | |
| Robert Fryer | .... | producer: play | |
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| On the Town | Gone with the Wind | Shadow of a Doubt | Has Anybody Seen My Gal | El método |
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It comes as no surprise that the 30-second attention span generation finds this jewel a little dull. There is no quick-cut music video cinematography. The characters are all actually old enough to be believable in their roles. which are not based on clothing or haircuts. It depends on talent rather than hype. And most of all, it is far too intelligent, witty and literate for today's garbage-numbed Philistine.
The story is simple, as all good stories are. Hepburn feels her job, and those of her staff, are threatened by Tracy and his ominous computer. It may not sound like much in this day of computer ubiquity, but substitute dot.com flop or outsourcing for computer and you have a contemporary comedy that still works.
Let's ignore the leads for just a moment. The supporting cast, which includes Joan Blondell as the arch-typical right-hand man, or should I say woman, and Gig Young as the chauvinistic, corporate climbing fiancé, easily outclasses what passes for marquee stars today. Husband and wife team Henry and Phoebe Ephron, parents of Nora Ephron, contribute a brilliantly witty script that, unfortunately for modern moviegoers, isn't peppered with vaudevillian pratfalls to help point out the funny parts. Instead, it relies on the intelligence of the audience and draws on that of the cast to produce a humor that never ages.
Hepburn is almost universally considered the greatest film actress ever. Tracy is utterly magnificent, and the chemistry between the two of them, owing of course in part to their long-standing relationship, is palpable.
I adore this movie, and if there were a Canon of Cinema, this would be in it.