| Photos (see all 22 | slideshow) | Videos |
| Kevin McCarthy | ... | Dr. Miles J. Bennell | |
| Dana Wynter | ... | Becky Driscoll | |
| Larry Gates | ... | Dr. Dan 'Danny' Kauffman | |
| King Donovan | ... | Jack Belicec | |
| Carolyn Jones | ... | Theodora 'Teddy' Belicec | |
| Jean Willes | ... | Nurse Sally Withers | |
| Ralph Dumke | ... | Police Chief Nick Grivett | |
| Virginia Christine | ... | Wilma Lentz | |
| Tom Fadden | ... | Uncle Ira Lentz | |
| Kenneth Patterson | ... | Stanley Driscoll | |
| Guy Way | ... | Officer Sam Janzek | |
| Eileen Stevens | ... | Anne Grimaldi | |
| Beatrice Maude | ... | Grandma Driscoll | |
| Jean Andren | ... | Eleda Lentz | |
| Bobby Clark | ... | Jimmy Grimaldi | |
| Everett Glass | ... | Dr. Ed Pursey | |
| Dabbs Greer | ... | Mac Lomax | |
| Pat O'Malley | ... | Baggage man | |
| Guy Rennie | ... | Restaurant owner | |
| Marie Selland | ... | Martha Lomax | |
| Sam Peckinpah | ... | Charlie (meter reader) | |
| Harry J. Vejar | ... | Pod carrier in Miles' office | |
| rest of cast listed alphabetically: | |||
| Whit Bissell | ... | Dr. Hill (uncredited) | |
| Richard Deacon | ... | Dr. Harvey Bassett (uncredited) | |
| Frank Hagney | ... | Bit part (uncredited) | |
| Robert Osterloh | ... | Ambulance driver (uncredited) | |
Directed by | |||
| Don Siegel | |||
Writing credits | ||
| Daniel Mainwaring | (screenplay) | |
| Jack Finney | (Collier's magazine serial) | |
| Richard Collins | uncredited | |
Original Music by | |||
| Carmen Dragon | |||
Cinematography by | |||
| Ellsworth Fredericks | (director of photography) | ||
Film Editing by | |||
| Robert S. Eisen | |||
Production Design by | |||
| Ted Haworth | (as Edward Haworth) | ||
Set Decoration by | |||
| Joseph Kish | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist | |
| Mary Westmoreland | .... | hair stylist | |
Production Management | |||
| Allen K. Wood | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Beaudine Jr. | .... | assistant director (as Bill Beaudine Jr.) | |
| Richard Maybery | .... | assistant director | |
Sound Department | |||
| Ralph Butler | .... | sound | |
| Del Harris | .... | sound editor | |
Special Effects by | |||
| Milt Rice | .... | special effects | |
| Don Post | .... | special makeup effects: pods and other props (uncredited) | |
Camera and Electrical Department | |||
| James V. King | .... | additional camera operator: final sequence (uncredited) | |
Music Department | |||
| Carmen Dragon | .... | conductor | |
| Jerry Irvin | .... | music editor | |
Other crew | |||
| Irva Mae Ross | .... | script supervisor (as Irva Ross) | |
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| Invasion of the Body Snatchers | I Married a Monster from Outer Space | The Invasion | Village of the Damned | I Walked with a Zombie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
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This is one of the great movie allegories. Yes, it is an allegory on the McCarthy era. Yes, it is an allegory on conformist America. But it is also an allegory on the evils of communism and fascism. Yes, it is a plea for sanity and individualism, for creativity and artistic freedom. And again yes it is a great directorial achievement for Don Siegel. All that aside it is also an entertaining film that does what any great movie should do, it moves. The dialog is not stilted or full of clichés. It is original and insightful without becoming preachy. Was Kevin McCarthy chosen because his name was McCarthy and the film runs counter to McCarthism? I think he was chosen because he was one of the gifted actors of the 1950's whose talents were not fully realized by the film industry. His fellow actors and actresses in the movie shared the same fate. The movie is also a top notch thriller, as good as any Hitchcock. When you're talking about the films of the 1950's that help define the period only a few come to mind: "The Wild One," "Rebel Without A Cause," and "Bad Day at Black Rock" are often cited. But "The Invasion of the Body Snatchers" is the one to study. It epitomizes the American outlook and cold war hysteria of the era as no other film from the decade does.