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Arsenic and Old Lace (1944)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
23 September 1944 (USA)
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Tagline:
She Passed Out On Cary ! No Wonder . . . She's just discovered his favorite aunts have poisoned their 13th gentleman friend !
Plot:
A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family. full summary | full synopsis
NewsDesk:
(5 articles)
The HeyUGuys IMDb250 Project
(From HeyUGuys. 20 January 2010, 10:00 PM, PST)
Sharon Gless and Tyne Daly Reunite for Burn Notice
(From MovieWeb. 14 January 2010, 5:27 PM, PST)
(From HeyUGuys. 20 January 2010, 10:00 PM, PST)
Sharon Gless and Tyne Daly Reunite for Burn Notice
(From MovieWeb. 14 January 2010, 5:27 PM, PST)
User Reviews:
My favorite classic movie!
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Cast
(Cast overview, first billed only)| Cary Grant | ... | Mortimer Brewster | |
| Priscilla Lane | ... | Elaine Harper | |
| Raymond Massey | ... | Jonathan Brewster | |
| Jack Carson | ... | O'Hara | |
| Edward Everett Horton | ... | Mr. Witherspoon | |
| Peter Lorre | ... | Dr. Einstein | |
| James Gleason | ... | Lt. Rooney | |
| Josephine Hull | ... | Abby Brewster | |
| Jean Adair | ... | Martha Brewster | |
| John Alexander | ... | 'Teddy Roosevelt' Brewster | |
| Grant Mitchell | ... | Reverend Harper | |
| Edward McNamara | ... | Brophy | |
| Garry Owen | ... | Taxi Cab Driver | |
| John Ridgely | ... | Saunders | |
| Vaughan Glaser | ... | Judge Cullman |
Additional Details
Also Known As:
Frank Capra's 'Arsenic and Old Lace' (USA) (complete title)
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Parents Guide:
Runtime:
118 min
Country:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:Atp |
UK:A (1944) |
UK:PG (1990) |
Canada:PG (Ontario) |
USA:Approved (PCA #7855) |
Australia:G (cable rating) |
Australia:PG (original rating) |
Germany:12 |
Sweden:15
Filming Locations:
Company:
Fun Stuff
Trivia:
The Broadway comedy opened at the Fulton Theatre on January 10, 1941 and ran for 1,444 performances, closing on June 17, 1944. Repeating their stage roles in the movie were "Brewster siblings" Josephine Hull, Jean Adair and John Alexander, all three getting time off from the New York play. Boris Karloff was denied permission to go by the play's producers, fearing that the absence of their main star would adversely affect the play's attendance.
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Goofs:
Anachronisms: The movie is specifically identified as taking place on Hallowe'en (October 31), but opens with a Brooklyn Dodgers baseball scene. Even if the visiting "New York" team is the Yankees, making it a World Series game, it would have to be earlier in the year than that; no World Series from 1913 through the 1940s ran later than October 16, and in fact it was not until 2001 that the Series ran as late as October 31.
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Quotes:
Movie Connections:
Referenced in "Remington Steele: Let's Steele a Plot (#3.11)" (1984)
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Soundtrack:
Home, Sweet Home
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FAQ
Why didn't Boris Karloff play his lookalike?How does it end?
How much sex, violence, and profanity are in this movie?
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This is my all-time favorite classic movie. It has an very sophisticatedly entertaining plot line, the casting is superb, the pace is breathtaking, and it deals with a subject (euthanasia) that is still controversial today. The story is a fine example of "black comedy", where a socially unacceptable idea is shown in a very entertaining manner.
The story is set up brilliantly right from the get-go; where a 'certifiable' publicly-acclaimed bachelor is secretly getting married. The personality of the cast is excellent. I know that Cary Grant reckoned this was his worst movie, saying it was more of a "Jimmy Stewart-type part"; but his spot-on comic timing and professional style hamming plays the role to perfection. Also co-starring in the movie is a brilliant Peter Lorre as a maniac doctor and Raymond Massey as the psychotic brother. Most critics have attacked this film by saying the script refers to the psycho being a Boris Karloff look-alike, highlighting the fact that Boris played the role is the original stage play. However Massey plays the role to deadpan perfection, and the humor of the scenario still works.
My favorite scene is the self-referential one where Mortimer (a theater critic)is describing "bad plays (and movies)". If you watch the background action, and pay attention to the dialog, the ironic situation is brilliantly realized. This film also has my personal favorite quote, said by Cary Grant as Peter Lorre frantically tries to warn him of impending doom; "Stop underplaying - I can't hear you!"