Overview
Release Date:
November 1942 (Italy)
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Plot:
Doomed love within a corrupt political world. At 18, the beautiful and smart Kira comes to Petersburg as the Communists consolidate power...
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User Comments:
...or "We The Living" (1942)
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Additional Details
Also Known As:
We the Living (UK)
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Aspect Ratio:
1.37 : 1
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MOVIEmeter: 
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Trivia:
The film is based on the novel "We the living" by American author Ayn Rand. Director Gofferdo Alessandrini read it and thought it would make an excellent epic, but Italy was at war with the United States and acquiring rights to the novel would be a major obstacle. Following the then laisser-faire attitude regarding what seemed at the time trivial matters, Alessandrini and screenwriter Anton Majano, decided to simply use the novel and base their screenplay on it. Whilst he was working on another film (_Nozze di sangue_), Scalera Film, the production company, asked several other writers to rewrite scenes and dialogues from the existing screenplay, but the final draft ended up being so different from Alessandrini and Majano's original screenplay that they both decided to start shooting without a script and just follow the book. They wrote the scenes at night and handed them over to the actors in the morning. As weeks went by it soon became evident that it would take longer than the customary three weeks of shooting to finish this film and that there was also enough material for two films. But nothing was said to the actors, as they probably would have requested to be paid double. Despite the fact that Rand's book is an overt criticism of the communist regime and ideology, the fascist Ministry of Culture soon became aware that Alessandrini was also using the film as a platform to criticise the Mussolini government. The shooting was interrupted several times by fascist officials who demanded to see the rushes, but Alessandrini had two edited copies of the film, one that would be in line with the fascist ideology and another one which reflected his own vision of the story. In September 1942, after nearly five months of shooting, the film was completed and presented at the Venice Film Festival where it received the highest accolade and was awarded the Volpe Cup. It went on general release in November of the same year as two separate films, "Noi Vivi" and
Addio Kira! (1942) and proved to be a resounding success with the Italian public who regarded it as an indirect indictment of the Mussolini regime. But the authorities soon got wind of this and the film was banned after five months, all copies seized and ordered to be destroyed but fortunately one negative was kept and hidden. After the war, Scalera Film approached Ayn Rand to secure the literary rights to the film so it could be re-released, but she refused. A few years later, Scalera Films went into receivership and as part of the inventory of Scalera films, both Noi Vivi" and
Addio Kira! (1942) were turned over to a holding company, which relegated them to a vault where they remained for over twenty-five years. It was not until the late 1960's that Ayn Rand was able to locate the original nitrate negatives, still in good condition in the vault in Rome. Both films were restored, combined into one, and released (with English subtitles) in 1986 as
We the Living (1986) at the Telluride Film festival in Colorado where it received rave reviews, over forty years after its original release.
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This entry refers to the Italian title for the Goffredo Allesandrini wartime production of Rand's 1936 autobiographical novel "We The Living". Released in Fascist Italy, it was banned after a five-month run when authorities discovered that the anticollectivist statements by several characters applied as much to fascism as to the communism in Russia to which the plot specifically referred. At least one print was discovered in Italy in the 1960's and in 1986 the film was rereleased with English subtitles under the English title.