| Lionel Barrymore | ... | Dr. Leonard Gillespie | |
| Philip Dorn | ... | Dr. John Hunter Gerniede | |
| Donna Reed | ... | Marcia Bradburn | |
| Phil Brown | ... | Roy Todwell | |
| Nat Pendleton | ... | Joe Wayman | |
| Alma Kruger | ... | Molly Byrd | |
| Mary Nash | ... | Emma Hope | |
| Walter Kingsford | ... | Dr. Walter Carew | |
| Nell Craig | ... | Nurse 'Nosey' Parker | |
| Ruth Tobey | ... | Susan May 'Susie' Prentiss | |
| Jonathan Hale | ... | Frank Marshall Todwell | |
| Charles Dingle | ... | Dr. Ward O. Kenwood | |
| Marie Blake | ... | Sally, receptionist | |
| Nana Bryant | ... | Mrs. Marshall Todwell | |
| Eddie Acuff | ... | Clifford Genet | |
| Robin Raymond | ... | Bubbles | |
| rest of cast listed alphabetically: | |||
| Ernie Alexander | ... | Hospital elevator boy (uncredited) | |
| Barbara Bedford | ... | Carew's secretary bringing postcard (uncredited) | |
| Hillary Brooke | ... | Mrs. Brown, measels patient (uncredited) | |
| Harry Brown | ... | Orderly (uncredited) | |
| Naomi Childers | ... | Nurse Edith (uncredited) | |
| Barbara Coleman | ... | Detroit Dance Hall cashier (uncredited) | |
| Monte Collins | ... | Man (uncredited) (unconfirmed) | |
| Mary Currier | ... | Nurse Trippett in ward X (uncredited) | |
| Charles Dorety | ... | Waiter (uncredited) | |
| Ruth Dwyer | ... | Girl at school (uncredited) | |
| Ava Gardner | ... | Graduating student at Miss Hope's (uncredited) | |
| Leatrice Joy Gilbert | ... | Girl at school (uncredited) | |
| Pat Gleason | ... | Parking attendant (uncredited) | |
| Betty Jean Hainey | ... | Girl at school (uncredited) | |
| Harry Hayden | ... | Coronet car salesman (uncredited) | |
| Edna Holland | ... | Nurse Trayhan on sixth floor (uncredited) | |
| Jerry Jerome | ... | Buck, Detroit Dance Hall manager (uncredited) | |
| Lew Leroy | ... | Frankie, Bubbles' boyfriend (uncredited) | |
| Frank Marlowe | ... | Coronet mechanic (uncredited) | |
| Patrick McVey | ... | Police Sergeant Hartwell (uncredited) | |
| Charles R. Moore | ... | Porter (uncredited) | |
| Charlotte Munier | ... | Girl at school (uncredited) | |
| William Newell | ... | Orderly with tray of water (uncredited) | |
| Frances Raeburn | ... | Girl at school (uncredited) | |
| Anne Rooney | ... | Girl at school (uncredited) | |
| Ray Teal | ... | Detroit policeman (uncredited) | |
| Philip Van Zandt | ... | Detroit Dance Hall waiter (uncredited) | |
| Emmett Vogan | ... | Police Lieutenant Clifton (uncredited) | |
| Shirley Warde | ... | Nurse Workman at second floor desk (uncredited) | |
| Jane Welborn | ... | Girl at school (uncredited) | |
| Joe Yule | ... | Passerby in Detroit (uncredited) | |
Directed by | |||
| Harold S. Bucquet | |||
Writing credits | ||
| Max Brand | (characters) | |
| Kubec Glasmon | (story) | |
| Willis Goldbeck | (screenplay) and | |
| Harry Ruskin | (screenplay) | |
| Lawrence P. Bachmann | contributing writer (uncredited) | |
Original Music by | |||
| Daniele Amfitheatrof | |||
Cinematography by | |||
| Ray June | (director of photography) | ||
Film Editing by | |||
| Elmo Veron | |||
Art Direction by | |||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Robert Kalloch | (gowns) (as Kalloch) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
Production Management | |||
| Jerome S. Bresler | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tom Andre | .... | assistant director (uncredited) | |
| Bill Ryan | .... | assistant director (uncredited) | |
Art Department | |||
| Malcolm Brown | .... | associate art director | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Music Department | |||
| Wally Heglin | .... | orchestrator (uncredited) | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| Joseph Nussbaum | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
Other crew | |||
| Dr. Charles Mandell | .... | technical advisor (uncredited) | |
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| King of Chinatown | The People vs. Dr. Kildare | The Galloping Ghost | The Possession of Joel Delaney | Monte Carlo Nights |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
This is an almost quaint film from the World War II era when pseudo-psychology was all the rage. Alfred Hitchcock was to take it to the limits and turn it into an art form in his fabulous "Spellbound." Though this film has moments of hilarity there are also supposedly serious parts that today are unintentionally funny, for example, when Dr. Gillespie tells Roy Todwell's parents, "I'm sorry to say but your son is a mental case." Other parts of the flick hold up well and it is still worth seeing, especially if you are a fan of the series or if you are unfamiliar with the Max Brand Dr. Kildare/Dr. Gillespie stories, so popular in the late 30's and early 40's on both radio and the big screen.
The stories ran almost like a big soap opera with each one connected to the others in characters and many times even in plot. The entry following this one, "Dr. Gillespie's Criminal Case," is actually a continuation of "Calling Dr. Gillespie" with Roy Todwell now in prison but escaping and holding Dr. Gillespie and others hostage. As most readers know because of the hoopla it created in the media, Lew Ayres was dropped from the series as Dr. Kildare because he declared himself a conscientious objector and served as a medic in the war rather than as a soldier. Though "Calling Dr. Gillespie" ignores Lew Ayres, its sequel "Dr. Gillespie's Criminal Case" spotlights a dismembered survivor of Pearl Harbor who is depressed about his condition and hesitates about trying out his new pair of legs. Dr. Gillespie gives the veteran preferred treatment and makes a patriotic statement against the Japanese, even quoting the Bible. It's as if MGM was slapping Lew Ayres in the face and calling him a traitor, even though Dr. Kildare's name is not mentioned.
In "Calling Dr. Gillespie," the blend of romance, humor, the fatherly figure of Lionel Barrymore in a wheelchair (like our President at the time), murder and mayhem, and corn pone philosophy all seem to mesh and make the film a success. This was not true of its successor, "Dr. Gillespie's Criminal Case." So I recommend this film for those interested in the Dr. Kildare/Dr. Gillespie series. I do not recommend the sequel, though you may want to see it out of curiosity to learn how the story of Roy Todwell ends.