| Photos (see all 24 | slideshow) |
| Charles Chaplin | ... | Hynkel - Dictator of Tomania / A Jewish Barber | |
| Jack Oakie | ... | Napaloni - Dictator of Bacteria | |
| Reginald Gardiner | ... | Schultz | |
| Henry Daniell | ... | Garbitsch | |
| Billy Gilbert | ... | Herring | |
| Grace Hayle | ... | Madame Napaloni | |
| Carter DeHaven | ... | Bacterian Ambassador (as Carter De Haven) | |
| Paulette Goddard | ... | Hannah | |
| Maurice Moscovitch | ... | Mr. Jaeckel (as Maurice Moscovich) | |
| Emma Dunn | ... | Mrs. Jaeckel | |
| Bernard Gorcey | ... | Mr. Mann | |
| Paul Weigel | ... | Mr. Agar | |
| Chester Conklin | ... | Barber's Customer | |
| Esther Michelson | ... | Jewish Woman | |
| Hank Mann | ... | Storm Trooper Stealing Fruit | |
| Florence Wright | ... | Blonde Secretary | |
| Eddie Gribbon | ... | Tomanian Storm Trooper | |
| Rudolph Anders | ... | Tomanian Commandant at Osterlich (as Robert O. Davis) | |
| Eddie Dunn | ... | Whitewashed Storm Trooper | |
| Nita Pike | ... | Secretary | |
| George Lynn | ... | Commander of Storm Troopers (as Peter Lynn) | |
| rest of cast listed alphabetically: | |||
| Wheeler Dryden | ... | Heinrich Schtick - Translator (voice) | |
| Fred Aldrich | ... | Soldier (uncredited) | |
| Richard Alexander | ... | Tomainian Prison Guard in 1918 (uncredited) | |
| William Arnold | ... | Tomanian Officer (uncredited) | |
| Sig Arno | ... | Compact Parachute Inventor (uncredited) | |
| Joe Bordeaux | ... | Ghetto Extra (uncredited) | |
| Don Brodie | ... | Reporter from International Press (uncredited) | |
| Hans Conried | ... | Undetermined Role (uncredited) | |
| Gino Corrado | ... | Sculptor (uncredited) | |
| John Davidson | ... | Hospital Superintendent (uncredited) | |
| Max Davidson | ... | Jewish Man (uncredited) | |
| Lew Davis | ... | Hospital Orderly (uncredited) | |
| Francis Ernest Drake | ... | Storm Ttrooper (uncredited) | |
| Pat Flaherty | ... | Friendly Storm Trooper (uncredited) | |
| Bud Geary | ... | Storm Trooper (uncredited) | |
| Sam Harris | ... | Officer (uncredited) | |
| Eddie Hart | ... | Policeman (uncredited) | |
| Leyland Hodgson | ... | Big Bertha Gunnery Officer (uncredited) | |
| William Irving | ... | Man Seated on Bed (uncredited) | |
| Charles Irwin | ... | Banquet Butler (uncredited) | |
| Ethelreda Leopold | ... | Blonde Secretary (uncredited) | |
| Torben Meyer | ... | Bald Barbershop Customer (uncredited) | |
| Jules Michelson | ... | Man in Ghetto (uncredited) | |
| Bert Moorhouse | ... | Hynkel's Staff Officer (uncredited) | |
| Nellie V. Nichols | ... | Jewish Woman (uncredited) | |
| Manuel París | ... | Dance Extra at Ball (uncredited) | |
| Jack Perrin | ... | Jewish Man (uncredited) | |
| Lucien Prival | ... | Storm Trooper Officer (uncredited) | |
| Cyril Ring | ... | Officer Extra (uncredited) | |
| Henry Roquemore | ... | Soldier (uncredited) | |
| Tiny Sandford | ... | Soldier in 1918 Tomainia (uncredited) | |
| Hans Schumm | ... | Soldier (uncredited) | |
| Harry Semels | ... | Jewish Fruit Stand Proprietor (uncredited) | |
| Charles Sullivan | ... | Prison Guard (uncredited) | |
| Carl Voss | ... | Officer (uncredited) | |
| Leo White | ... | Hynkel's Barber (uncredited) | |
| Harry Wilson | ... | Soldier in Field (uncredited) | |
Directed by | |||
| Charles Chaplin | |||
Writing credits | ||
| Charles Chaplin | (written by) | |
Produced by | |||
| Charles Chaplin | .... | producer (uncredited) | |
| Carter DeHaven | .... | associate producer (uncredited) | |
Original Music by | |||
| Charles Chaplin | (uncredited) | ||
| Meredith Willson | (uncredited) | ||
Cinematography by | |||
| Karl Struss | (director of photography) | ||
| Roland Totheroh | (director of photography) | ||
Film Editing by | |||
| Willard Nico | |||
| Harold Rice | (uncredited) | ||
Art Direction by | |||
| J. Russell Spencer | |||
Set Decoration by | |||
| Edward G. Boyle | (uncredited) | ||
Makeup Department | |||
| Ed Voight | .... | makeup artist (uncredited) | |
Production Management | |||
| Alfred Reeves | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Wheeler Dryden | .... | assistant director | |
| Dan James | .... | assistant director | |
| Bob Meltzer | .... | assistant director | |
| Alex Finlayson | .... | assistant director (uncredited) | |
Art Department | |||
| William Bogdanoff | .... | construction foreman (uncredited) | |
| Dick Fritsch | .... | assistant art director (uncredited) | |
| Frank Veseley | .... | painter (uncredited) | |
| Clem Widrig | .... | props (uncredited) | |
Sound Department | |||
| Glenn Rominger | .... | sound | |
| Percy Townsend | .... | sound | |
Special Effects by | |||
| Jack Cosgrove | .... | special effects (uncredited) | |
| Ralph Hammeras | .... | special effects (uncredited) | |
Stunts | |||
| Buster Wiles | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Frank Testera | .... | chief electrician (uncredited) | |
| William Wallace | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Wyn Ritchie | .... | costumer (uncredited) | |
| Ted Tetrick | .... | costume supervisor (uncredited) | |
Music Department | |||
| Meredith Willson | .... | musical director | |
| Al Kaye | .... | music librarian (uncredited) | |
| Max Terr | .... | assistant musical director (uncredited) | |
| Meredith Willson | .... | conductor (uncredited) | |
Other crew | |||
| Henry Bergman | .... | general assistant (uncredited) | |
| Rollin Brown | .... | laboratory contact (uncredited) | |
| Kay Clement | .... | secretary (uncredited) | |
| Evelyn Earle | .... | script clerk (uncredited) | |
| Monroe Greenthal | .... | press representative (uncredited) | |
| Moody | .... | dailies projectionist (uncredited) | |
| Kathleen Pryor | .... | secretary (uncredited) | |
| Gene Testera | .... | filing clerk (uncredited) | |
| Carl Voss | .... | military advisor (uncredited) | |
| Oscar Wright | .... | purchasing (uncredited) | |
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| Fahrenheit 9/11 | Modern Times | The Life and Death of Colonel Blimp | Mother Night | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
I was surprised and impressed to find out this movie was released in 1940, before the United States entered World War II. On the surface, satirizing something as solemn and horrible as Nazi Germany could be misconstrued as rash. But Chaplin's brilliance isn't limited to making a joke out of everything. In fact, the seriousness of his message wouldn't have been nearly as valid if not for the excellent use of humor in this movie along with the moments of stark drama blended in. Drama alone wouldn't have had the bite and resonance that this film did. Laughing at someone (Adenoid Hynkel) can be the best way to attack them, while laughing with someone (the Jewish Barber) can be the best way to love them. In the Jewish Barber's final speech, I forgot for a moment that the war he was talking about happened more than half a century ago. They are words that have meaning now, and in any time of war. For this reason I believe the film did far greater good than harm, as it still has the same profound effect today.