The Good Earth (1937)

Director:

Sidney Franklin

Writers:

Talbot Jennings (screenplay) and
Tess Slesinger (screenplay) ...

Release Date:

6 August 1937 (USA)

Genre:

Drama | Romance

Tagline:

China . . . . Land of unrest . . . tomorrow they may Starve !

Plot:

The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife...

Plot Keywords:

Farmer | Famine | Slave | Money | City

Awards:

Won 2 Oscars. Another 3 nominations

Cast

Paul Muni	...	Wang Lung
Luise Rainer	...	O-Lan
Walter Connolly	...	Uncle
Tilly Losch	...	Lotus
Charley Grapewin	...	Old Father
Jessie Ralph	...	Cuckoo
Soo Yong	...	Aunt
Keye Luke	...	Elder Son
Roland Lui	...	Younger Son
Suzanna Kim	...	Little Fool
Ching Wah Lee	...	Ching
Harold Huber	...	Cousin
Olaf Hytten	...	Liu - Grain Merchant
William Law	...	Gateman
Mary Wong	...	Little Bride

Runtime:

138 min

Country:

USA

Language:

English

Color:

Black and White (Sepiatone)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Passed (National Board of Review) | West Germany:12 | UK:A | South Korea:All | Sweden:15 (DVD rating) | Australia:G | Finland:K-16 | USA:Approved (PCA #2584)

Filming Locations:

Beijing, China

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The location shots in China were filmed by director George W. Hill for a movie that was later abandoned. Hill had died by the time this film went into production.

Goofs:

Continuity: Unexplained sequence of events or possible error in continuity. Toward the beginning of the film, Farmer Wang walks to the Great House to meet his bride, O-Lan. He is carrying a basket. It appears to be empty. As he enters a market, the farmer declines to buy peaches. We don't see him purchase goods or trade for anything. We don't see him filling the basket. However, the next scene shows him at the door of the house with a full basket. Later, he does buy peaches. At this point, however, we're still not made aware how he has money or silver.

Quotes:

O-Lan: When I go back in that house, it will be with my son in my arms. I'll have a red coat on him... and red flower trousers... and a hat with a gilded Buddha and tiger-faced shoes, and I'll go into the kitchen where I spent my days as a slave and into the great hall where the old mistress sits with her pipe, and I'll show myself and my son to all of them.
O-Lan: [Smiles, contented] Hmm.
Wang Lung: Well... Now, I... I haven't heard you speak so many words since you came to this house.

Movie Connections:

Referenced in "M*A*S*H: Love and Marriage (#3.20)" (1975)

A good Hollywood epic

I watched this movie with some curiosity. I wanted to see if 1) Paul Muni could play Chinese and 2) Luise Rainer deserved her Oscar. I came away from the film thinking YES! Having seen Muni in only one film where he was quite hammy, I expected the same type of performance here. I was happily proved wrong. Although some might criticize him as being too childlike and stereotypically simple in the Hollywood idea of Asians, I thought he was just right in the role. Keye Luke, if he'd been given the chance to play a lead role, might have played him in much the same manner.

I was particularly impressed by the camera work and the use of crowd scenes, especially during the sacking of the palace where O-Lan was once a slave. The graphic and grim atmosphere of the firing squad and the drought made this an epic quite unlike others of the same time where it was all glitz and glitter. I watched this film from beginning to end enthralled. I can't say the same for the "epics" of today.