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Three Little Wolves (1936)
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Overview
Release Date:
14 April 1936 (USA) morePlot:
The two foolish little pigs think crying "wolf" on their brother is great sport. Then the real wolf comes around... more | add synopsisUser Comments:
More Troubles With The Big Bad Wolf moreCast
(Credited cast)| Billy Bletcher | ... | Big Bad Wolf (voice) | |
| Pinto Colvig | ... | Practical Pig (voice) | |
| Dorothy Compton | ... | Fifer Pig (voice) | |
| Mary Moder | ... | Fiddler Pig (voice) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
9 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Certification:
USA:Approved (PCA #1677)MOVIEmeter: 
Fun Stuff
Quotes:
[Disguised as Bo Peep, the Wolf lures the pigs into his cave, locks the door and swallows the key]Fifer Pig, Fiddler Pig: [Blushing] Why, Bo Peep.
Big Bad Wolf: Bo Peep?
[Laughs as he takes off his costume]
Fifer Pig, Fiddler Pig: The Wolf!
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| The Big Bad Wolf | Three Little Pigs | Three Little Bops | The Three Little Pups | The Practical Pig |
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| Full cast and crew | Company credits | IMDb Animation section |
| IMDb USA section | Add this title to MyMovies |








A Walt Disney SILLY SYMPHONY Cartoon Short.
The Big Bad Wolf returns to the forest, this time with his sons, the THREE LITTLE WOLVES. Fortunately for them, Fifer & Fiddler Pigs are as gullible & silly as ever...
A follow-up to THE BIG BAD WOLF (1934) and THE THREE LITTLE PIGS' second sequel, this is a very pleasant cartoon with lots of good imagination at work. The 'Wolf Pacifier' is fascinating & must have warmed the heart of Rube Goldberg himself. Followed by the non-Symphony THE PRACTICAL PIG (1939).
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.