My Sin (1931)

Director:

George Abbott

Writers:

George Abbott (adaptation)
Owen Davis (writer)

Release Date:

3 October 1931 (USA)

Genre:

Drama

Plot:

Plot Keywords:

Based On Play

Cast

Tallulah Bankhead	...	Carlotta / Ann Trevor
Fredric March	...	Dick Grady
Harry Davenport	...	Roger Metcalf
Scott Kolk	...	Larry Gordon
Anne Sutherland	...	Mrs. Gordon
Margaret Adams	...	Paula Marsden
Lily Cahill	...	Helen Grace
Jay Fassett	...	James Bradford
Joseph Calleia	...	Juan
rest of cast listed alphabetically:
Eric Blore	...	Barfly

Runtime:

80 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.20 : 1

Sound Mix:

Mono

Company:

Paramount Pictures

Trivia:

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.

"True love" is the salvation of "MY SIN"

*** This comment may contain spoilers ***

On a visit to Panama, Roger Metcalfe (Harry Davenport), the president of Metcalfe Oil, is given a tour of the local hot-spots by an employee permanently stationed there. Metcalfe finds the semi-tropics "exotic", but is told that the heat and monotony can make people "come apart". Just then, "Exhibit A" walks into the cantina. Dick Grady (Frederic March), once a Harvard football star and lawyer ten years before, is now a derelict. The "female of the species" is the "hostess" of the cantina, an American named Carlotta (Tallulah Bankhead). When she's introduced to Metcalfe she says she can't shake hands as both of hers are full of "the only things that matter": a wad of bills, a cigarette and a drink. Later that night, Carlotta shoots her pimp and is charged with murder. When no reputable lawyer is willing to represent her, Grady sobers up, takes the case and gets her acquitted. Metcalfe, impressed with Grady's performance, offers him a job while Carlotta, shunned by the women of the town and evicted from her apartment, tries to kill herself. Grady stops her just in time and suggests she only "kill off" the "Carlotta" in her. They decide to call her "Ann Trevor" and he stakes her $500 so she can make a new start in New York. Over time, Grady is transferred to Mexico and "Ann" becomes a successful Manhattan interior decorator. Grady realizes he's in love with Ann who is half-a-world away and being pursued by, and falling for, wealthy blue-blood Larry Gordon (Scott Kolk). In New York on business, Grady meets up with Ann and she's shocked when he tells her he loves her. Ann loves Larry and it's Grady's turn to be shocked when Ann tells him she has no intention of telling Larry of her past. One week before the wedding, at a dinner party with Larry and his socialite mother, Ann is introduced to Larry's uncle ...Roger Metcalfe! Will "Carlotta" be exposed? Can "Ann" brazen it out?? Can love truly conquer all???

Of Tallulah Bankhead's five starring roles during 1931-32, two were set below the equator, two played out in the "concrete jungle" of Manhattan and "MY SIN" is split between BOTH. Bankhead's "Pre-Code" forte was the "woman's picture" with all it's romance, suffering and melodramatic angst. Not as "sleek" as Kay Francis or as "chic" as Constance Bennett, Tallulah still managed to make her own distinctive mark on the already overcrowded genre. Her allure can best be described as "shopworn chic" with the battered-but-not-defeated heart that goes with it. In "MY SIN" (Bankhead's third film for Paramount) her "look" and "niche" were still being refined. Bejewelled, be-furred and gowned by Travis Banton, with her hair slicked back during the "Manhattan dinner party", Tallulah photographed better than she did in her two previous outings. Her make-up, all crimson lips and huge mascara-ed eyes, is reminiscent of Joan Crawford. She gets a chance to show off her svelte figure and gorgeous gams in satin and lace "step-ins" and an Art-Deco-design bathing suit. Her distinctive voice is showcased too, as she warbles a jazzy "scat" ditty called "Crazy Tom" while sitting on the bar in the "cantina". Bankhead shone best when given a leading man who was capable of sharing acting honors with her and Frederic March fills the bill nicely. The plots of most of her films seem ripped from the then-current "True Confessions" pulp magazines and this one is no exception. Women could relate to the "double standard" that her character had to endure. There are some interesting ironies concerning the stigma attached to the "fallen". When "Grady" sobers up, he's hailed and rewarded with a prestigious job with "Metcalfe Oil". When "Carlotta" (as "Ann") turns over a new leaf she has to live in constant fear of being "exposed". When "Grady" can't believe "Ann" isn't going to come clean with "Larry" before the wedding, she tells him that it was he himself who said to "kill off Carlotta" and make a new start without looking back. He tells her, "Yes...but I never thought THIS would happen!" Hmmm... There's a "telling" moment when "Ann", torn as to whether or not to marry "Larry", sees an organ-grinder in the street and gets a "flashback" to the Panama cantina. She decides she can NEVER marry anyone. The "sin" in "MY SIN" is Bankhead's past AND it's cover-up. There's many romantic "ups and downs" and quite a few melodramatic (and suspenseful) moments where Tallulah gets a chance to "reely" emote. One standout is the killing of her pimp. Accident or murder? The audience hears the shots from outside "Carlotta's" window and can draw it's own conclusions. During her trial it comes out that "Carlotta" was once a college co-ed who the scoundrel pretended to marry so he could take her to South America and prostitute her. He seemed so thoroughly reprehensible that it doesn't really matter whether she intended to shoot him ...but even MORE shocking (in another standout scene) is the dinner party's reactions when "Ann" is slowly being exposed as "Carlotta" by "Metcalfe". He tells "Larry" and his mother of a certain "notorious" woman who was tried for murder in Panama and the disgust and disdain they feel towards "a woman like that", no matter what her "extenuating" circumstances, gives audience sympathy to "Ann". A man can triumph over a sordid past but NEVER a woman. Only when "Ann" finally sees what was in front of her all along does she have the courage to go forward, marry the man she REALLY loves and move right into the plush, hypocritical neighborhood of those who'd scorn her. "MY SIN" is one of the more intriguing films in the "Pre-Code" Bankhead canon. Hokey and predictable, with any number of outrageous co-incidences, it's still a lot of fun and highly recommended ...especially for "Tallulah-heads".