Biography for
Kon Ichikawa More at IMDb Pro »

Date of Birth

20 November 1915, Mie, Japan

Date of Death

13 February 2008, Tokyo, Japan (pneumonia)

Birth Name

Giichi Ichikawa

Mini Biography

Kon Ichikawa has been influenced by artists as diverse as Walt Disney and Jean Renoir, and his films cover a wide spectrum of moods, from the comic to the overwhelmingly ironic and even the perverse. Ichikawa began his career as a cartoonist, and this influence is apparent in his skillful use of the widescreen, and in the strong, angular patterns seen in many of his compositions. He has directed Pu-san (1953), a popular film based on Junichi Yokoyama's "Mr. Pu" comic strip. At various points in his career Ichikawa has shown that he is capable of appealing to a popular audience without compromising his artistry. A great visual stylist and perfectionist, Ichikawa excels at screen adaptations of literary masterpieces, including Soseki Natsume's Kokoro (1955), Yukio Mishima's Enjo (1958), Junichirô Tanizaki's Kagi (1959) and Wagahai wa neko de aru (1975) and Toson Shimazaki's Hakai (1962). He has also remade film classics, such as Yutaka Abe's Ashi ni sawatta onna (1926) (Ichikawa's version: 1952) and Teinosuke Kinugasa's Yukinojo henge (1935) (Ichikawa's version: 1963), transposing them to contemporary settings.

The West was first introduced to Ichikawa when his Biruma no tategoto (1956) won the San Giorgio Prize at the 1956 Venice Film Festival. His epic documentary Tôkyô orimpikku (1965) (released the following year) and Taiheiyo hitori-botchi (1963) explore, with dignity and imagination, the limits of human endurance. He has also worked in the thriller genre, with Ana (1957), Inugamike no ichizoku (1976) and Gokumon-to (1977). Ichikawa tends to present strongly etched, complex characters: the stuttering acolyte who desires to preserve the "purity" of the Golden Pavilion (ENJO); the elderly husband who resorts to injections and voyeurism in order to remain sexually active (KAGI); the member of a pariah class who tries to deny his identity and to "pass" in regular society (HAKAI). More recently, Eiga joyu (1987) is a tribute to the fiercely independent Japanese actress Kinuyo Tanaka, who starred in many of Kenji Mizoguchi's films and was herself a director in later life. On the lighter side, Ichikawa's characters also include a 19th-century cat; a good-hearted, hapless teacher; and a baby who narrates how the world looks from his vantage point. He is especially adept at mixing comedy and tragedy within the same story. Until 1965, Ichikawa's close collaborator was his wife, screenwriter Natto Wada, with whom he produced most of his finest films.

IMDb Mini Biography By: Daniel Yates

Spouse

Natto Wada

(1948 - 18 February 1983) (her death) 2 children

Trivia

Education: Ichioka Commercial School, Osaka (animation)

Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 442-451. New York: The H.W. Wilson Company, 1988.

Personal Quotes

I just make any picture I like or any that the company tells me to do.

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